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Blume, Friedrich. Protestant Church Music: A History. New York: Norton, 1974.
Adler, Israel. Musical Life and Traditions of the Portuguese Jewish Community of Amsterdam in the XVIIIth Century. Jerusalem: Magnus Press, 1974.
Plantinga, Leon. Romantic Music: A History of Musical Style in Nineteenth-Century Europe. New York: Norton, 1984.
Curwen, John. School Music Abroad (1879-1901). Kilkenny: Boethius Press, 1985.
*Merrick, Paul. Revolution and Religion in the Music of Liszt. Cambridge: Cambridge UP, 1986.
*Segel, Harold. Turn of the Century Cabaret: Paris, Barcelona, Berlin, Munich, Vienna, Cracow, Moscow, St. Petersburg, Vienna. New York: Columbia UP, 1987.
*Bujić, Bojan, ed. Music in European Thought, 1851-1912. Cambridge: Cambridge, UP, 1988.
Goldin, Max. On musical connections between Jews and the neighboring peoples of Eastern and Western Europe. Amherst : International Area Studies Programs, University of Massachusetts at Amherst, 1989.
*Ryback, Timothy W. Rock around the bloc: a history of rock music in Eastern Europe and the Soviet Union. New York: Oxford UP, 1990.
Morgan, Robert P. Twentieth-century music: a history of musical style in modern Europe and America. New York: Norton, 1991.
Ringer, Alexander, ed. The Early Romantic era: between revolutions: 1789 and 1848 (Series: Music and society). Englewood Cliffs: Prentice Hall, 1991.
Samson, Jim, ed. The Late romantic era : from the mid-19th century to World War I (Music and Society Series). Englewood Cliffs: Prentice Hall, 1991.
Schwarz, Elliott. Music Since 1945: Issues, Material and Literature. New York: Schirmer, 1993.
Downs, Philip G. Classical music: the era of Haydn, Mozart, and Beethoven. New York: Norton, 1992.
Music industries and creativity : papers presented to the Symposium organised by the Council of Europe on "Creative artists and the industrialisation of culture-- music," Strasbourg, 26-27 November 1982.
Butler, Christopher. Early modernism: literature, music and painting in Europe, 1900- 1916. Oxford: Clarendon, 1994.
Bellman, Jonathan. The style hongrois in the music of Western Europe. Boston: Northeastern University Press, 1993.
Hartley, Keith, ed. The Romantic Spirit in German Art, 1790-1990. London: Thames and Hudson, 1994.
Ramet, Sabrina P. Social currents in Eastern Europe: the sources and consequences of the great transformation. [Has a chapter on Rock music and counterculture] Durham: Duke UP, 1995.
Eyck, F. Gunther. The voice of nations: European national anthems and their authors. Westport: Greenwood Press, 1995.
Thomson, Peter, ed. The Cambridge companion to Brecht. Cambridge: Cambridge UP, 1994.
Abraham, Gerald. Slavonic and Romantic Music. London: Faber, 1968.
Dunwill, Wilfrid. Music and the European Mind. London: Jenkins, 1962.
*Ramet, Sabrina Petra. Rocking the state: rock music and politics in Eastern Europe and Russia. Boulder: Westview Press, 1994.
*Bermingham, Ann, ed. The consumption of culture, 1600-1800: image, object, text. New York: Routledge, 1995.
Senelick, Laurence. Cabaret Performance. Baltimore: Johns Hopkins UP, 1993.
Dean, John, ed. European readings of American popular culture. Westport: Greenwood Press, 1996.
deVries, Willem. Sonderstab Musik: music confiscations by the Einsatzstab Reichsleiter Rosenberg under the Nazi occupation of Western Europe. Amsterdam: Amsterdam UP, 1996.
Mitchell, Tony. Popular music and local identity: rock, pop, and rap in Europe and Oceania. London: Liecester UP, 1996.
*Tambling, Jeremy. Opera and the Culture of Fascism. Oxford: Clarendon Press, 1996.
Slobin, Mark. Retuning Culture: Musical Changes in Central and Eastern Europe. Durham: Duke UP, 1996.
Lang, Paul Henry, ed. Contemporary music in Europe; a comprehensive survey. New York: Norton, 1965.
Lotz, Rainer E. Black people: entertainers of African descent in Europe and Germany. Bonn: Bigit Lotz, 1997.
Sullivan, Jack. New World symphonies: how American culture changed European music. New Haven: Yale UP, 1999.
Hall, Stuart, ed. Questions of Cultural Identity [A chapter on Music and Identity] London: Sage, 1996.
Brinkmann, Reinhold, ed. Driven Into Paradise: The Musical Migration from Nazi Germany to the United States. Berkeley: UC Press, 1999.
Peyser, Joan. To Boulez and beyond: music in Europe since The rite of spring. New York: Billboard, 1999.
Heide Fehrenbach, ed. Transactions, transgressions, transformations: American culture in Western Europe and Japan. New York: Berghahn Books, 2000.
*White, Harry, ed. Musical constructions of nationalism: essays on the history and ideology of European musical culture, 1800-1945. Cork: Cork UP, 2001.
Zwerin, Mike. Swing Under the Nazis: Jazz as a Metaphor for Freedom. New York: Cooper Square Press, 2000.
Radano, Ronald, ed. Music and the Racial Imagination. Chicago: U of C Press, 2000.
Bennett, Andy. Cultures of Popular Music. Buckingham: Open University Press, 2001.
Papathanassopoulos, Stylianos. European television in the digital age: issues, dynamics and realities. Cambridge: Polity Press, 2002.
Budds, Michael J, ed. Jazz & the Germans: essays on the influence of "hot" American idioms on the 20th-century German music. Hillsdale: Pendragon Press, 2002.
Radice, Mark A. Concert music of the twentieth century : its personalities, institutions, and techniques. Upper Saddle River: Prentice Hall, 2003.
Pekacz, Joltana T. Music in the culture of Polish Galicia, 1772-1914. Rochester: URochester Press, 2002.
Ramet, Sabrina P, ed. Kazaaam! splat! ploof!: the American impact on European popular culture since 1945. Lanham: Rowman and Littlefield, 2003.
Ross, Larry. African-American jazz musicians in the diaspora. Lewiston: Mellen Press, 2003.
*Buch, Esteban. Beethoven's Ninth: a political history. Chicago: UofC Press, 2003.
*Carroll, Mark. Music and Ideology in Cold War Europe. Cambridge: Cambridge UP, 2003.
Mickenberg, David, ed. The last expression : art and Auschwitz. Evanston: Northwestern UP, 2003.
*Saffle, Michael, ed. Liszt and the birth of modern Europe: music as a mirror of religious, political, cultural, and aesthetic transformations: proceedings of the international conference held at the Villa Serbelloni, Bellagio (Como) 14-18 December 1998. Hillsdale: Pendragon Press, 2003.
Caute, David. The dancer defects: the struggle for cultural supremacy during the Cold War. Oxford: Oxford UP, 2003.
Raphael-Hernandez, Haike. Blackening Europe: the African American presence. New York: Routledge, 2004.
Geppert, Dominik, ed. The postwar challenge: cultural, social, and political change in Western Europe, 1945-58. [Some chapters] Oxford: Oxford UP, 2003
Bernstein, Eckhard. Culture and Customs of Germany. Westport: Greenwood Press, 2004.
*Weber, William. Music and the middle class: the social structure of concert life in London, Paris and Vienna between 1830 and 1848. Aldershot: Ashgate, 2004.
*Bohlman, Philip. The music of European nationalism: cultural identity and modern history. Santa Barbara: ABC-CLIO, 2004.
Elschek, Oscar, ed. A history of Slovak music: from the earliest times to the present. Bratislava: VEDA, 2003.
McKay, George. Circular breathing: the cultural politics of jazz in Britain. Durham: Duke UP, 2005.
Schildt, Axel, ed. Between Marx and Coca-Cola: youth cultures in changing European societies, 1960-1980. New York: Berghahn Books, 2006.
Sharma, Bhesham R. Music and culture in the age of mechanical reproduction. New York: Peter Lang, 2000.
McDonnell, Patricia. Painting Berlin stories: Marsden Hartley, Oscar Bluemner and the first American avant-garde in expressionist Berlin. New York: Peter Lang, 2003.
Cherlin, Michael, ed. The great tradition and its legacy: the evolution of dramatic and musical theater in Austria and Central Europe. New York: Berghahn Books, 2003.
*Holmes, Diana, ed. 100 years of European cinema: entertainment or ideology? Manchester: Manchester UP, 2000.
Kelleher, Joe, ed. Contemporary theatres in Europe: a critical companion. London: Routledge, 2006.
Blanning, Tim, ed. Unity and diversity in European culture c.1800. Oxford: Oxford UP, 2006.
Parker, Mara E, ed. Music in eighteenth-century life: cities, courts, churches. Ann Arbor: Steglein, 2006.
*Cowgill, Rachel, ed. Europe, empire, and spectacle in nineteenth-century British music. Aldershot: Ashgate, 2006.
*McBridge, Patrizia C., ed. Legacies of modernism: art and politics in northern Europe, 1890-1950. New York: Palgrave, 2007.
Cooper, John Michael. Mendelssohn, Goethe, and the Walpurgis night: the heathen muse in European culture, 1700-1850. Rochester: URochester Press, 2007 [Seems too specific, but chapter headings look useful]
Wynn, Neil A. Cross the water blues: African American music in Europe. Jackson UMississippi Press, 2007.
*Raykoff, Ivan, ed. A song for Europe: popular music and politics in the Eurovision song contest. Aldershot: Ashgate, 2007.
Laycock, Jolyon, A changing role for the composer in society: a study of the historical background and current methodologies of creative music-making. Oxford: Peter Lang, 2005.
*Hall, Duncan. A pleasant change from politics: music and the British Labour movement between the wars. Cheltenham: New Clarion, 2001.
*Mackerness, Eric D. A Social History of English Music. London: Routledge, 1964.
*Raynor, Henry. A social history of music, from the Middle Ages to Beethoven. [Maybe the later part; Beethoven = 1770-1827] New York: Schocken Books, 1972.
Nettel, Reginald. A Social History of Traditional Song. London: Adams and Dart, 1969.
David P. Szatmary. A time to rock: a social history of rock and roll. New York: Schirmer Books, 1996.
Trochimczyk, Maja, ed. After Chopin: essays in Polish music. Los Angeles: Polish Music Center at USC, 2000.
Clapp-Itnyre, Alisa. Angelic airs, subversive songs: music as social discourse in the Victorian novel. Athens: Ohio UP, 2002.
*Applegate, Celia. Bach in Berlin: nation and culture in Mendelssohn's revival of the St. Matthew Passion. Ithaca: Cornell UP, 2005.
Buchanan, Donna A., ed. Balkan popular culture and the Ottoman ecumene: music, image, and regional political discourse. Lanham: Scarecrow Press, 2007.
Campbell, Sean. Beautiful Day: Forty Years of Irish Rock. Cork: Atrium, 2005.
*DeNora, Tia. Beethoven and the construction of genius: musical politics in Vienna, 1792-1803. Berkeley: UC Press, 2005.
Huq, Rupa. Beyond subculture : pop, youth and identity in a postcolonial world. London: Routledge, 2006.
Kallberg, Jeffrey. Chopin at the Boundaries: Sex, History and Musical Genre. Cambridge: Harvard UP, 1996.
Gramit,David. Cultivating music : the aspirations, interests, and limits of German musical culture, 1770-1848. Berkeley: UC Pres, 2002.
*Woodford, Paul G. Democracy and music education : liberalism, ethics, and the politics of practice. Bloomington: IU Press, 2005.
Rice, John A. Empress Marie Therese and music at the Viennese court, 1792-1807. Cambridge: Cambridge UP, 2003.
*Fulcher, Jane F. French cultural politics and music : from the Dreyfus affair to the first world war. New York: Oxford UP, 1999.
Turino, Thomas, ed. Identity and the arts in diaspora communities. Warren: Harmonie Park Press, 2004.
Richards, Jeffrey. Imperialism and music : Britain, 1876-1953. Manchester: Manchester UP, 2001.
Moore, Hilary. Inside British jazz : crossing borders of race, nation and class. Aldershot: Ashgate, 2007.
*Potter, Pamela M. Most German of the arts : musicology and society from the Weimar Republic to the end of Hitler's Reich. New Haven: Yale UP, 1997.
Green, Lucy. Music, gender, education. Cambridge: Cambridge UP, 1997.
Randall, Annie J. Music, Power, and Politics. New York: Routledge, 2005.
Lesure, Francois. Music and Art in Society. University Park: Penn State UP, 1968.
Bashford, Christina, ed. Music and British culture, 1785-1914 : essays in honor of Cyril Ehrlich. Oxford: Oxford UP, 2000.
*Applegate, Celia, ed. Music and German National Identity. Chicago: UofC Press, 2002.
Jackson, Jeffrey H., ed. Music and history : bridging the disciplines [Helen Marsh Jeffries -- Angels and furies : women and popular song during the French revolution / Laura Mason -- Music, memory, and the people in selected British periodicals of the late eighteenth the early nineteenth centuries] Jackson: UMississippi Press, 2005.
Ballantine, Christopher John. Music and its Social Meanings. New York: Gordon and Breach, 1984.
Gilliam, Bryan, ed. Music and performance during the Weimar Republic. Cambridge: Cambridge UP, 1994.
Eyerman, Ron. Music and social movements : mobilizing traditions in the twentieth century. Cambridge: Cambridge UP, 1998.
Walker, Robert. Music education : cultural values, social change and innovation. Springfield: Charles C. Thomas, 2007.
*Nott, James J. Music for the people : popular music and dance in interwar Britain. Oxford: Oxford UP, 2002.
Goldberg, Halina. Music in Chopin's Warsaw. New York: Oxford UP, 2008.
*Solie, Ruth A. Music in other words : Victorian conversations. Berkeley: UC Press, 2004.
Wellens, Ian. Music on the frontline : Nicolas Nabokov's struggle against communism and middlebrow culture. Aldershot: Ashgate, 2002.
Fauser, Annegret. Musical encounters at the 1889 Paris World's Fair. Rochester: URochester Press, 2005.
*Spies, Andre Michael. Opera, state, and society in the Third Republic, 1875-1914. New York: P. Lang, 1998.
Kramer, Lawrence. Opera and modern culture : Wagner and Strauss. Berkeley: UC Pres, 2004.
Buchanan, Donna. Performing democracy: Bulgarian music and musicians in transition. Chicago: UofC Press, 2002.
Bennett, Tony, ed. Rock and popular music : politics, policies, institutions. London: Routledge, 1993.
Alter, Nora M., ed. Sound matters : essays on the acoustics of modern German culture. New York: Berghahn Books, 2004.
Rohr, Deborah. The careers and social status of British musicians, 1750-1850 : a profession of artisans. [Has a chapter on music education] New York: Cambridge UP, 2001.
*Fulcher, Jane F. The composer as intellectual : music and ideology in France 1914- 1940. New York: Oxford UP, 2005.
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