A bibliography of music in literature, art and society

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Nineteenth-Century Music 1990 or 1991, article on music and painting

Baumer, Franz, "Musik für das Auge: Progressive Elemente bei Aladbert Stifter als Maler und Zeichner," Adalbert Stifter Institut des Landes Oberösterreich: Vierteljahresschrift, 31, 1982, 121-144

Bryars, Gavin, "Berners, Rousseau, Satie," Studio International, Nov-Dec, 1976

Cagli, Bruno, "Ut Musica Pictura," Notizie da Palazzo Albani, 1983

Davis, James, "A Response to W. Garner's Observations on the Relationships Between Color and Music,", Leonardo, XII, summer, 19??

Dixon, Laurinda, "Art and Music at the Salons de la Rose + Croix, 1892-1897", Gabriel Weisberg and Laurinda Dixon, eds., The Documented Image: Visions in Art History, 1988?, 165-186

Egri, Peter, "Creative Imagination as Romantic Value: Field, Chopin, Shelley, and Turner," Acta Litteraria Academiae Scientiarum Hungaricae, 31, 1-2, 1989, 79-102

Flam, Jack, "Matisse in Two Keys," Art in America, July-August 1975

Frisch, Walter, "Music and Jugenstil," Critical Inquiry, 17, 1, 1990, 138-161

Henderson, Linda, The Fourth Dimension and Non-Euclidean Geometry in Modern Art, Princeton, 1983, 186-201

Hendrickson, Laura, PhD thesis on social history of late 19th-century music and painting and Wagnerism

Jespersen, Heather, "Venetian Painting as a Musical Mode Before Pater," Gazette des Beaux Arts submiited 1990

Johnson, Ron, "Whistler's Musical Modes: Numinous Nocturnes," Arts Magazine, April, 1981

Jullian, Rene, "Delacroix et la musique du table," Gazette des Beaux-Arts, 87, March 1976, 81-88

Kagan, Andrew, Paul Klee: Art and Music, Ithaca and London: Cornell University Press?, 1983

Kagan, Andrew, "Ut pictura musica, I. to 1860," Arts Magazine, May, 1988,

Kagan, Andrew, "Paul Klee's 'Ad Parnasssum': the Theory and Practice of Eighteenth-century Polyphony as Models for Klee's Art," Arts Magazine, Sept. 1977

Kauffman, Nelson Blaine, "The Aesthetic of the Veil: Conceptual Correspondences in the Nocturnes of Whistler and Debussy", Ph.D., Ohio State University, 1975

Klein, Adrian, Color Music: The Art of Light, London, 1926

Klein, Adrian, Colored Light: An Art Medium, rev. ed., London, 1937

Kuenzli, Katherine, The Nabis and Intimate Modernism: Painting and the Decorative at the Fin-de-Siecle, Ashgate Publishers, 2010

Lockspeiser, Edward, Music and Painting. A Study in Comparative Ideas from Turner to Schoenberg, London: Cassell, 1973

Moritz, William, "Abstract Film and Color Music" in The Spiritual in Art: Abstract Painting 1890-1985, New York, 1986, 297-311

Mras, George, "Ut Pictura Musica: A Study of Delacroix’s Paragone", Art Bulletin, 45, Sept. 1963, 266-71

Northrup (see above under 19-20th Century)

Risatti, Howard, "Music and the Development of Abstraction in America: The Decade Surrounding the Armory Show," Art Journal, fall, 1979

Schier, Donald, Louis Bertrand Castel: Anti-Newtonian Scientist, Cedar Rapids: Torch Press, 1941

Scott, Derek, "Music and Sociology for the 1990s: A Changing Critical Perspective," Musical Quarterly, 74, 3, 1990, 385-410 [Marxist critique of musical modernism]

Smith, Paul, "Was Seurat's Art Wagnerian? and what if it was?" Apollo, July, 1991, 21-28

Tucker, John, "Pound, Vorticism and the New Esthetic," Moasic, 16, 4, 1983, 83-96

Vaughan, Gerhard, "Maurice Denis and the Sense of Music", Oxford Art Journal, 7, 1, 1984, 38-48

Walton, Kendall, "What is Abstract about the Art of Music?", Journal of Aesthetics and Art Criticism, 1989? 1990?

Wells, Alan, "Music and Visual Color: a Proposed Correlation," Leonardo, 12, 2, spring, 1980

Würtenberg, Franzsepp, Malerei und Musik: Die Geschichte des Verhaltens zweier Künste zueinander, Frankfurt, Bern, and Las Vegas, 1979



(see Annual Review of Jazz Studies)

New York Public Library exhibition on "degenerate" art and music in Nazi Germany, 1993

That's Jazz: Der Sound des 20. Jahrhunderts, Darmstadt Museum, 1988 [huge catalogue]

Anderson, Paul, "From Spirituals to Swing: Race, Modernity and the Culture of Jazz in America," Ph.D., in process, History Dept., Cornell

Aronson, David, "Jazz: A Music in Exile," International Social Science Journal, 34, 4, 1982, 583-598

Artis, David, "Swing, Judy Garland, and All That Jazz," Black Scholar, 21, 1991, 30-34 [Great Gatsby]

Ayers, David, "Jazz: Music and Background," Journal of American Studies, 27, 1993, 409-415 [review article]

Baskerville, John, "Free Jazz: A Reflection of Black Power Ideology," Journal of Black Studies, 24, 1994, 484-497

Beck, Earl, "The Anti-Nazi 'Swing-youth'," Journal of Popular Culture, 19, Winter 1985, 45-53

Berret, Anthony, "Toni Morrison's Literary Jazz," CLA Journal, 32, 1989, 267-283

Berrett, Joshua, "Louis Armstrong and Opera," Musical Quarterly, 76, 1992, 216-241

Blake, (first name???), Le Tumulte Noir. Modernist Art and Popular Entertainment in Jazz-Age Paris, Penn State University Press, 1999

Boulard, Gary, "Blacks, Italians and the Making of New Orleans Jazz," Journal of Ethnic Studies, 16, 1988, 53-66

Brown, Lee, "The Theory of Jazz Music: It don't mean a thing...," Journal of Aesthetics and Art Criticism, 49, Spr, 1991, 115-127

Buckner, Reginald and Steven Weiland, eds., Jazz in Mind: Essays on the History and Meanings of Jazz, Detriot: Wayne State Univ. Press, 1991,

Cassidy, Donna, "Arthur Dove's Musical Paintings of the Jazz Age," American Art Journal, 20, 1, 1988, 4-23

Cassidy, Donna, The Musical City and Jazz: Modernism, Cultural Identity, and American Art, 1910-1940, forthcoming

Collier, James, "The Faking of Jazz," New Republic, Nov 18, 1985, 33-40 [on leftist mythology of jazz as black music which was first appreciated by whites in Europe} with critical response in New Republic, Dec 16, 1985, 6ff

Collier, James, The Reception of Jazz in America, New York, 1988

Collier, James, Jazz: Am American Theme Song, New York: Oxford University Press, 1993

Cook, Susan, "Jazz as Deliverance: The Reception and Institution of American Jazz during the Weimar Republic," American Music, 7, Spr 1989, 30-47

Cook, Susan, "George Antheil's Transatlantic: An American in the Weimar Republic," Journal of Musicology, 9, 1991, 498-520

Cook, Susan, Opera for a New Republic: The Zeitopern of Krenek, Weill and Hindemith, Ann Arbor: UMI Research Press, 1988 [chapter 2 on jazz opera; ch 3 on American jazz and dance in Europe; ch 3 on "Jonny spielt auf"]

DeVeaux, Scott, "Putting the History Back into Jazz," Mississippi Quarterly, 47, 1994, 263-271

DeVeaux, Scott, ed., jazz issue of American Music, 7, Spring, 1989

Dickson, L. L., "Keep it in the head': Jazz Elements in Modern Black American Fiction," MELUS, 10, 1983, 29-37

Douglas, Ann, Terrible Honesty: Mongrel Manhattan in the 1920s, NY, 1985

Eichstedt, A., and B. Polster, Wie die Wilden: Tänze auf der Höhe ihrer Zeit, Berlin, 1955 [JH]

Elliott, David, "Jazz Education as Aesthetic Education," Journal of Aesthetic Education, 20, Spr. 1986, 41-53

Floyd, Samuel, "Ring Shout! Literary Studies, Historical Studies, and Black Music Inquiry," Black Music Research Journal, 11: 2, 1991, 265-287

Gabbard, Krin, "Signifyin(g) the Phallus: Mo' better blues and Representations of the Jazz trumpet," Cinema Journal, 32, 1992, 43-62

Gilman, Sander, "Black Sexuality and Modern Consciousness," Blacks and German Culture, ed. R. Grimm, Madison, 1986 [JH]

Gilroy, P., The Black Atlantic: Modernity and Double Consciousness, Cambridge, MA 1993 [JH]

Gioia, Ted, The Imperfect Art: Reflections on Jazz and Modern Culture, New York: Oxford Univ. Press, 1988

Gioia, Ted, "Jazz and the Primitivist Myth," Musical Quarterly, 73, 1, 1989, 130-143 [reprinted in his The Imperfect Art]

Gracyk, Theodore, "Adorno, Jazz, and the Aesthetics of Popular Music," Musical Quarterly, 76, 1992, 526-542

Gutterman, Scott, "Undertone: Scott Gutterman on the Jazz Hero," Artforum, Feb 1990, 26-7 [on jazz in films]

Hadler, Mona, "Jazz and the Visual Arts," Arts Magazine, 57, June, 1983, 91-102

Hamilton, Andy, "The Aesthetics of Imperfection," Philosophy, 65, 1990, 323-340

Hamilton, Carol, "All that Jazz Again: Adorno's Sociology of Music," Popular Music and Society, 15, 3, 1991, 31-40

Heinrichs, Jürgen, "Blackness in Weimar: Jazz, Dance, and the Representation of the Black American Body in Weimar Germany", Ph.D. thesis, Yale, under completion

Jelavich, P., Berlin Cabaret, Cambridge, MA, 1993 [JH]

Kater, Michael, "Forbidden Fruit: Jazz in the Third Reich," American Historical Review, 94, 1, 1989, 11-43

Kater, Michael, "The Jazz Experience in Weimar Germany," German History, 6, 2, 1988, 145-158 [JH]

Kater, Michael, Different Drummers: Jazz in the Culture of Nazi Germany, New York, 1992 [JH]

Kater, Michael, The Twisted Muse: Musicians and Their Music in the Third Reich, New York: Oxford University Press, 1997 [rev. NYT late June 1997)

Kenney, William, "Le Hot: The Assimilation of American Jazz in France, 1917-1940," American Studies, 25, 1984, 5-24

Kenney, William, "Jazz: A Bibliographical Essay," American Studies International, 25, 1987, 3-27

Koch, T., Die goldenen zwangiger Jahre, Frankfurt, 1970

Koger, Alicia, "Jazz Form and Jazz Function: An Analysis of 'Unfinished Women Cry in No Man's Land while a Bird Dies in a Gilded Cage'," MELUS, 16, 1990, 99-111

Leonard, Neil, Jazz and the White Americans, Chicago: University of Chicago Press, 1962

Levine, Lawrence, "Jazz and American Culture," Journal of American Folklore, 102, Jan/Mar 1989, 6-22; repr. in idem, The Unpredictable Past, Oxford, 1993, 172-188

Monson, Ingrid, "Doubleness and Jazz Improvisation: Irony, Parody, and Ethnomusicology," Critical Inquiry, 20, 1994, 283-313 [one of the best discussions]

Moody, Bill, "Jazz Fiction: It Don't Mean a Thing if it ain't got that swing," Journal of American Culture, 14, 1991, 61-66

Moore, MacDonald, Yankee Blues: Musical Culture and American Identity, Bloomington: Indiana University Press, 1986?

Neil, Leonard, Jazz and the White Americans, Chicago: U of C Press, 1962

Ogren, Kathy, The Jazz Revolution: Twenties America and the Meaning of Jazz, New York: Oxford University Press, 1989

Palmer, Richard, "State of the Art; Jazz,: the Betrayed Art," Journal of American Studies, 23, 1989, 287-294 [review article]

Panetta, Vincent, “’For Godsake Stop!” Improvised Music in the Streets of New Orleans, ca. 1890,” Musical Quarterly, 84, 1, 2000, 5-29

Peretti, Burton, "The Jazz Studies Renaissance," American Studies, 34, 1993, 139-149 [review article]

Peretti, Burton, The Creation of Jazz: Music, Race, and Culture in Urban America, Urbana: Un. of Illinois Press, 1992

Rodriguez, Eusebio, "Experiencing Jazz," Modern Fiction Studies, 39, 1993, 733-754

Rudinow, Joel, "Race, Ethnicity, Expressive Authenticity: Can White People Sing the Blues?," Journal of Aesthetics and Art Criticism, 52, 1994, 127-137

Rusch, Frederik, "Form, Function, and Creative Tension in 'Cane': Jean Toomer and the Need for the Avant-garde," MELUS, 17, 1992, 15-28

Salaam, Kalamu ya, "Visual Jazz: An Interview with and Portfolio of Paintings by John Scott," African American Review, 27, 1993, 257-276

Savage, William, "Jazz and the American Frontier Experience: Turner, Webb, and the Oklahoma City Blue Devils," Journal of the West, 28, 1989, 32-35

Schrader, The "Golden" Twenties: Art and Literature in the Weimar Republic, New Haven, 1988

Szwed, John and Marks Morton, "The African-American Transformation of European Set Dances and Dance Suites, Dance Research Journal, 20, 1988, 29-36

Stowe, David, "Jazz in the West: Cultural Frontier and Region During the Swing Era," Western Historical Quarterly, 23, 1992, 53-73

Thomas, Lorenzo, "'Communicating by horns': Jazz and Redemption in the Poetry of the Beats and the Black Arts Movement," African American Review, 26, 1992, 291-298

Tomlinson, Gary, "Cultural Dialogics and Jazz: A White Historian Signifies," Disciplining Music, Musicology and Its Canons, ed. Katherine Bergeron and Philip Bohlman, Chicago, Un. of Chicago Press, 1992, 64-94

Tower, Beeke Sell, "Jungle Music and Song of Machines: Jazz and American Dance in Weimar Culture," idem, Envisioning America: Prints, Drawings, and Photographs by George Grosz and His Contemporaries, 1915-1933, Cambridge: Busch Reisinger Museum, 1990, 86-105

Townsend, Peter, "Adorno on Jazz: Vienna vs the Vernacular," Prose Studies, 11, 1, 1988, 69-88

Tracy, Steven, "Simple's Great African-American Joke," CLA Journal, 27, 1984, 239-253

Vincent, Ted, "The Window of Opportunity," Black Scholar, 22, 1992, 6-16

Weiner, Marc, "Urwaldmusik and the Borders of German Identity: Jazz in Literature of the Weimar Republic, German Quarterly, 64, 4, 1991, 475-487

Williams, John, "Painting in Sound," Black American Literature Forum, 19, Spring, 1985, 9-11 [jazz in art, Netherlands]

Zilczer, Judith, "Synaesthesia and Popular Culture: Arthur Dove, George Gershwin and the 'Rhapsody in Blue'," Art Journal, 44, 1984, 361-6

Zwerin, Michael, La tristesse de Saint Louis. Jazz Under the Nazis, New York: Beech Tree, 1987 [rev NYRB feb 87)


- Thomas Hart Benton, Arts of Life has jazz

Music of the Spheres, Pythagorean Music: Cornford, McClain, Haar (1973), Boyancé, Waerden, Reinach, Jan,

Deschamps's Art de Dictier et de Fere Chançons, 1392

Gerson, Jean, Tractatus de Canticis, ca. 1426

Coldwell, Maria Fowler, "Guillaume de Machaut and Medieval Romances with Musical Interpolations," Musica disciplina, 35, 1981, 55-86; xerox 58, 66

Amphion: Marotta, Becker

Orpheus: Atkinson, Barnard, Brooks, Brown, Brownlee, Cain, Cochrane, Costa, De Tolnay, Gros-Louis (2); Madgdalino, MacQueen, Medina, Paterson, Possiedi, Simonds, Smits-Veldt, Steinle, Warden, Williamson, Wright (2)

for more Orpheus MLA bib, see Vermeer file

Conty, Evrart de, The Chess of Love, chs. 23-2X; see Reginald Hyatte and Maryse Ponchard-Hyatte, eds. L'harmonie des sphères. ... "Les echecs amoureux", ed. New York and Bern: Peter Lang, 1986

Sadoleto, Jacopo, On Education, Venice, 1533,

Gaffurio, De harmomia, 1518, trans. Clement Miller, 1977

Giorgio, Francesco, De harmonia mundi, Venice, 1525

Piccolomini, Alessandro, On Education, 1545, two chapters on music based on Plato and Aristotle,

Huygens: also see Jonckbloet, Vries, Land, Grijp, Legêne,


Hague, Gemeentesmuseum, has Venetian instrument with lid painting of nude asleep in landscape

Bacchiacca, Young Lutenist with Hourglass, New Orleans Museum, scattered in the landscape background: 1) a chariot with the Triumph of Love, 2) Samson and Delilah, 3) Apollo and Daphne, Kress Bequest

Roy Sonnema had good slide of ornate, painted musical instrument as image


see extensive print-outs from HA; also do MLA for 93 and 94.


"Freude an der Musik," Du, 6, 1984, 32-67 [5 articles on music in art]

Chambure, Alain de, "Quand la peinture dechiffre la musique. (Inventaire des sujets musicaux dans la peinture)," Conaissance des arts, 423, May, 1987, 104-113

Hibberd, Lloyd, "Giraldus Cambrensis and Early English 'Organ Music'," Journal of the American Musicological Society, 8, 1955, 208-212

Hottois, Isabelle, L'iconographie musicale dans les manuscripts de la Bibliothèque Royale Albert Ier, Brussels: Bibliothèque Royale Albert Ier, 1982.

MLA 1984 I.1543 (music cures melancholy)

Rifkin, Adrian, "Musical Moments," Yale French Studies, 73, 1987, 121-155
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