A bibliography of music in literature, art and society




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Kinderman, William, "Beethoven's Symbol for the Deity in the 'Missa Solemnis' and the 'Ninth Symphony'," 19th Century Music, 9, 1985 [starry night]

Knapp, Bettina L., "Baudelaire and Wagner's Archetypal Operas," Nineteenth Century French Studies, 1988-1989 Fall-Winter, 17:1-2, 58-69.

Kohler, Hartmut, "Valery et Wagner; Univ. d'Edimbourg, nov. 1976," in Carl-P. Barbier, ed., Colloque Paul Valery: Amities de jeunesse, influences, lectures. Paris : Nizet, 1978, 147-170

Kolb, Jocelyne, "Heine's Amusical Muse," Monatshefte: für Deutschen Unterricht, Deutsche Sprache und Literatur, 1981 Winter, 73:4, 392-404.

Kolb, Jocelyne, "Thomas Mann's Translation of Wagner into Buddenbrooks," Germanic Review, 1986 Fall, 61:4, 146-153.

Kramer, Lawrence, "Cultural and Musical Hermeneutics: The Salome Complex," Cambridge Opera Journal, 2, 1990, 269-94

Kramer, Lawrence, "Dangerous Liasons: The Literary Text in Musical Criticism," 19th Century Music, 13, 1989, 159-167

Kramer, Lawrence, "Decadence and Desire" The Wilhelm Meister Songs of Wolf and Schubert," 19th Century Music, 10, 1987, 229-242

Kramer, Lawrence, "The Schubert Lied: Romantic Forms and Romantic Consciousness," in Schubert: Critical and Analytical Studies, ed. W. Frisch, Lincoln, 1986, 200-236

Kramer, Lawrence, Classical Music and Postmodern Knowledge, Berkeley, 1996

Kramer, Lawrence, ed. Schubert: Music, Sexuality, Culture, special issue of 19th Century Studies, 17, 1, 1993

Kramer, Lawrence, Music and Poetry: The Nineteenth Century and After, Berkeley, 1984

Kramer, Lawrence, Music as Cultural Practice 1800-1900, Berkeley, 1995 [with chapters on 19th century gender and imagery of dance]

Kraus, Richard, Pianos and Politics in China: Middle-class Ambitions and the Struggle over Western Music, New York: Oxford Univ. Press, 1989

Kreiling, Jean, "A Note on James Joyce, Gottfried Keller and Music," James Joyce Quarterly, 25, 3, 1988, 349-356 [Keller's "Now I have Fed and Eaten up the Rose", Barber]

Kropfinger, Klaus, "Wagners Musikbegriff und Nietzsches 'Geist der Musik'," Nietzsche Studien: Internationales Jahrbuch für die Nietzsche Forschung, 1985, 14, 1-12.

Katherine Kuenzli, The Nabis and Intimate Modernism: Painting and the Decorative at the Fin-de-Siecle, Ashgate Publishers, 2011 (chapters on Wagnerism in Denis and Vuillard)

Kuzniar, Alice, "The Vanishing Canvas: Notes on German Romantic Landscape Aesthetics", German Studies Review, XI, 3, 1988, 359-376 [comments on music & landscape]

Lacoue Labarthe, Philippe, "Baudelaire contra Wagner," Etudes Françaises, 1981 Oct., 17:3-4, 23-52.

Langford, Jeffrey and Jane Denker Graves, eds., Hector Berlioz: A Guide to Research, New York: Garland, 1989.

Large, David and William Weber, eds., Wagnerism in European Culture and Politics, Ithaca: Cornell University Press, 1984

Lees, Heath, Mallarmé and Wagner, Ashgate, 2007

Leggio, James, Music and Modern Art, Routledge, 2002 [discusses Renoir’s Woman at the Piano series, Klimt, Kandinsky, Mondrian]

Levine, Alice, "Byron and the Romantic Composer," in Charles E. Robinson, ed., Lord Byron and His Contemporaries: Essays from the Sixth International Byron Seminar. Newark; London : University of Delaware Press; Associated University Press, 1982. 178-203

Levy, Alan, Musical Nationalism: American Composers' Search for Identity, Westport: Greenwood Press, 1983

Liao, Ping-hui, "Hope, Recollection, Repetition: Turandot Revisited," Musical Quarterly, 77, 1993, 67-80

Lindenberger, Herbert, "Arnold Schoenberg's 'Der biblische Weg' and "Moses und Aron': On the Transaction of Aesthetics and Politics," Modern Judaism, 9, 1989, 55-70

Lindenberger, Herbert, Opera, the Extravagant Art, Ithaca: Cornell Univ Press, 1984 [rev Kenyon Review, Summer 1984, 123]

Locke, Ralph and Cyrilla Barr, eds., Cultivating Music in America: Woman Patrons and Activists Since 1860, Berkeley, 1997

Locke, Ralph and Cyrilla Barr, eds., Cultivating Music in America: Woman Patrons and Activists Since 1860, Berkeley, 1997

Locke, Ralph, "Constructing the Oriental 'Other': Saint-Saëns 'Samson et Dalila," Cambridge Opera Journal, 3, 3, 1991, 261-302 [with extensive references on 19th century musical orientalism in notes 2 & 3]

Locke, Ralph, Music, Musicians and the Saint-Simonians, Chicago: Univ of Chicago Press, 1986 [rev J of Modern History 60, 1988, 593]

Longenbach, James, "The Conditions of Music: Yeats, Symons, and the Politics of Symbolism," Yeats, 8, 1990, 84-99

Lott, Eric, Love and Theft: Blackface Minstrelry and the American Working Class, New York: Oxford Un Pr, 1993

Lundstrom, James Christian, "Richard Wagner's Revolutionary Aesthetics as Reflected in Dramatic Theory, Dialectical Structure, and the Gesamtkunstwerk," Ph.D., 198X, DAI. 1984 Jan., 44:7, 1973A.

Macleod, Dianne Sachko, "Rossetti's Two Ligeias: Their Relationship to Visual Art, Music, and Poetry," Victorian Poetry, 1982 Autumn-Winter, 20:3-4, 89-102.

Mahaffey, Vicki, "Wagner, Joyce and Revolution," James Joyce Quarterly, 1988 Winter, 25:2, 237-247.

Martin, Timothy P., "Joyce, Wagner and the Artist-Hero," Journal of Modern Literature, 1984 Mar., 11:1, 66-88.

Martin, Timothy Peter, "The Influence of Richard Wagner and His Music-Dramas on the Works of James Joyce," Ph.D., 19XX, DAI. 1981 Dec., 42:6, 2687A.

Maur, Karin, ed., Vom Klang der Bilder: die Musik in der Kunst des 20. Jahrhunderts, Munich: Prestel, 1985

McCann, M., "The Past in the Present: A Study of Some Aspects of the Politics of Music in Belfast," PhD, Queens, Belfast, 1985

McClary, Susan, "Music and Sexuality: On the Steblin/Solomon Debate," 19th Century Music, 17, 1, 1993, 83-88

McClary, Susan, Feminine Endings: Music, Gender and Sexuality, Minneapolis, 1991

McClary, Susan, "Excess and Frame: The Musical Representation of Madwomen," in idem, Feminine Endings, 1991, 80-111

McDonald, Christie, "Unsettling the Score: Poetry and Music," Romanic Review, 77, May, 1986, 254-263 [Mallarmé]

McGregor, Jamie, ”The Sea, Music, and Death: The Shadow of Wagner in Woolf’s ‘Mrs. Dalloway,” English Studies in Africa, 49, 2, 2006, 83-108

Mein, Margaret, "Proust and Wagner," Journal of European Studies, 1989 Sept., 19:3 (75), 205-222.

Meitinger, Serge, "Baudelaire et Mallarmé devant Richard Wagner," Romantisme: Revue du Dix Neuvième Siècle, 1981, 11:33, 75-90.

Mercier, Alain," "Edouard Schure, Baudelaire et le wagnerisme a la Revue des Deux Mondes, d'apres un document inedit," Bulletin Baudelairien, 1980 Summer, 16:1, 11-12.

Meyer, Michael, The Politics of Music in the Third Reich, New York: Lang, 1991, 1993

Miller, Simon, "Instruments of Desire: Musical Morphology in the Early Work of Picasso," Musical Quarterly, 76, 4, 1992, 443-464

Miller, Simon, ed., The Last Post: Music After Modernism, Manchester: Un. of Man. Press, 1993

Miner, Margaret Ruth, "Between Music and Letters: Baudalaire's 'Richard Wagner et 'Tannhauser' a Paris'," Ph.D., 198X, DAI. 1990 Aug., 51:2, 520A.

Montgomery, David, "North German Romanticism: Origins and Structural Language in Music, Poetry and Painting," PhD, UCLA, 1987

Montgomery, David, "The Myth of Organicism: From Bad Science to Great Art," Musical Quarterly, 76, 1, 1992, 17-66

Morsy, Magali, ed., Les Saint-Simoniens et l'Orient: Vers la modernité, Aix-en-Provence, 1989

Morton, Marsha and Peter Schmunk, eds., The Arts Entwined: Music and Painting in the Nineteenth Century, New York: Garland, 2000 [Morton is at the Pratt Institute; Schmunk is at Wofford College]

Muir, Theresa, "The Impact of Wagner in England, 1848-1914," Ph.D., City University of New York, 1991? 1992?

Nattiez, Jean-Jacques, Wagner Androgyne, Princeton, Princeton Univ. Press, 1993

Nelson, Thomas, "The Arcadian Flat 6 in Romantic Musical Practice," Ph.D., University of Minnesota, in progress

Nilles, Jean Jacques, "Le Poeme et son nombre: La Question du sujet et du genre chez Mallarmé," Poetique: Revue de Theorie et d'Analyse Littéraires, 1984 Sept., 15:59, 309-324.

Norris, Lisa, “Painting Around the Piano: Fantin-Latour, Wagnerism, and the Musical in Art,” in Marsha Morton and Peter Schmunk, eds., The Arts Entwined: Music and Painting in the Nineteenth Century, New York: Garland, 2000, pp. 143-176

Northrup, JoAnne Severns, M.A. thesis on Fantin-Latour and Berlioz??, Un. of Southern California, 1992; planning to publish 2 articles

O'Sullivan, Thomas D., "The Perfect Wagnerite: Shaw's Reading of the Ring," English Literature in Transition (1880-1920), 1987, 30:1, 39-47.

Patty, James S., "La Premiere Rencontre de Baudelaire avec Wagner (Journal des Debats, 18 mai 1849)," Bulletin Baudelairien, 1984 Dec., 19:3, 71-84.

Pederson, Sanns, article on masculinity in the reception of Beethoven, in Scott Burnham and Michael Steinberg, eds., Beethoven and His World, Princeton University Press, 2000,

Peretti, Burton, "Democratic Leitmotives in the American Reception of Wagner," 19th Century Music, 13, 1, 1989, 28-38

Perris, Arnold, Music as Propaganda: Art to Persuade, Art to Control, Greenwood Press, 1985 [rev Ethnomusicology winter 88, 152]

Powell, David, While the Music Lasts: The Representation of Music in the Works of George Sand, Rosemont Publishers, 2001 [he is in the French Dept at Hofstra]

Prelinger, Elizabeth, “Music to Our Ears? Munch’s Scream and Romantic Music Theory, in Marsha Morton and Peter Schmunk, eds., The Arts Entwined: Music and Painting in the Nineteenth Century, New York: Garland, 2000, 209-226

Prod'homme, J.G., "Napoleon, Music, and Musicians," Musical Quarterly, 1921

Prumm, Karl, "Berlinger und seine Schuler: Musiknovellen von Wackenroder bis Richard Wagner," Zeitschrift für Deutsche Philologie, 1986, 105:2, 186-212.

Rainbow, Bernarr, The Land Without Music: Musical Education in England 1800-1860 and Its Continental Antecedents, London, 196,

Reif, Jo-Ann, "Thomas Mann's 'Dr Faustus': Progress in Music," Ph.D., Columbia University, 1991

Reinhardt, George, "Thomas Mann's 'Doctor Faustus': A Wagnerian Novel," Mosaic, 18, 4, 1985, 109-123

Richards, Paul, "Africa in the Music of Samuel Coleridge-Taylor," Africa, 57, 4, 1987, 566-571

Robinson, Paul, Opera and Ideas from Mozart to Strauss, New York: Harper and Row, 1985 [rev. W Weber, Journal of Modern History 59, 1987, 818]

Rodrigues, Jean Marc, "Genese du wagnerisme proustien," Romantisme: Revue du Dix Neuvième Siècle, 1987, 17:57, 75-88.

Roell, Craig, The Piano in America, 1890-1940, Chapel Hill, 1989

Rose, Paul Lawrence, "Heine and Wagner Revisited: Art, Myth and Revolution," Heine Jahrbuch, 1991, 30, 93-122.

Rose, Paul Lawrence, Wagner. Race and Revolution, Yale, 1995

Russell, Dave, Popular Music in England, 1840-1914, Kingston: McGill-Queen's University Press, 1987 [rev. W Weber, Journal of Social History, 24, 1990, 423]

Sachs, H. Music in Fascist Italy, , 198

Said, Edward, "The Imperial Spectacle (Aida)," Grand Street, 6, 2, 1987, 82-104

Said, Edward, Musical Elaborations, New York: Columbia Univ. Press, 1991

Satge, Alain, "Wagner reve par Mallarmé: 'Le Chanteur et la danseuse'," Romantisme: Revue du Dix Neuvième Siècle, 1987, 17:57, 65-73.

Scarry, John, "Mozart, Beethoven, and John McCormack in Finnegans Wake III, II," Etudes Irlandaises: Revue Francaise d'Histoire, Civilisation et Litterature de l'Irelande, 1982 June, 101-110.

Scher, Steven, "Comparing Poetry and Music: Beethoven's Goethe Lieder; Festschrift for Henry Remak," in Janos Riesz, et al., eds., Boerner, Peter (ed.); Scholz, Bernhard ed., Sensus Communis: Contemporary Trends in Comparative Literature/Panorama de la situation actuelle en litterature comparée. Tübingen: Narr, 1986. 155-165

Scher, Steven, Verbal Music in German Literature, Yale, 1968 [19-20th c.]

Schorske, Carl, Fin-de-siècle Vienna, ch. 7, sec. 3

Schmunk, Peter, “Van Gogh in Neuen and Paris: The Origins of a Musical Paradigm for Painting,” in Marsha Morton and Peter Schmunk, eds., The Arts Entwined: Music and Painting in the Nineteenth Century, New York: Garland, 2000, pp. 177-208

Scott, Derek, The Singing Bourgeois: Songs of the Victorian Drawing Room and Parlour, Philadelphia: Open University Press, 1989 [rev. Music and Letters, May 1991, 304; Sociological Rev. 38, 1990, 806]

Seaman, Gerald, "Music and the Russian Revolution," History of European Ideas, 11, 1989, 197-202

Sessa, Anne Dzamba, Richard Wagner and the English, London: Associated University Presses, 1978 [English: West Chester State College, West Chester PA]

Sherman, Elna, "Music in Thomas Hardy's Life and Work," Musical Quarterly, 1940, 419-445

Shrubsall, Wayne, "Banjo as Icon," Journal of Popular Culture, 20, 1987, 31-59

Smith, Paul, Seurat and the Avant-Garde, New Haven: Yale University Press, 1997, ch. III, "Wagnerian Painting", pp. 105-156

Solie, Ruth, "What Do Feminists Want? - A Reply to Peter van de Toorn," Journal of Musicology, 9, 1991, 399-410

Solomon, Maynard, Beethoven Essays, Cambridge, MA 1988

Spies, Andre, "Lohengrin Takes On the Third Republic: Wagner and Wagnerisme in Belle-Epoque Paris," Nineteenth-Century Studies, 1989, 3, 31-36.

Spotts, Frederic, Bayreuth: A History of the Wagner Festival, New Haven: Yale University Press, 1994

Spotts, Frederic, Bayreuth: A History of the Wagner Festival, New Haven: Yale University Press, 1994

Standring, Enid M., "George Sand, Chopin, and the Process of Creation," in Janis Glasgow ed., George Sand: Collected Essays. Troy, NY : Whitston, 1985. 2-17

Stauder, Ellen, "Towards a Grammar of Relationships: The Rhetoric of Music in Pound and Rousseau," Paideuma, 17, 1, 1988, 45-57

Steinberg, Ada, Words and Music in the Novels of Andrey Bely, Cambridge: CUP, 1982

Steinberg, Michael, The Meaning of the Salzburg Festival: Austria as Theatre and Ideology, 1890-1938, Ithaca: Cornell Univ. Press, 1990

Steinweis, Alan, Art, Ideology and Economics in Nazi Germany. The Reich Chambers of Music, Theater, and the Visual Arts, Chapel Hill, 1997?

Stoner, Thomas, "'The new gospel of music': Arthur Farwell's Vision of Democratic Music in America," American Music, 9, 1991, 183-208

Storr, Anthony, Music in the Mind, New York: Free Press, 1992 [19-20th c ideas on music]

Strong, Tracy B., "Nietzsche's Political Aesthetics," in Gillespie, Michael Allen (ed.); Strong, Tracey B. ed., Nietzsche's New Seas: Explorations in Philosophy, Aesthetics, and Politics. Chicago : University of Chicago Press, 1988, 153-174

Sturz, James, "The Case of Siegfried," Judaism: A Quarterly Journal of Jewish Life and Thought, 1989 Summer, 38:3 (151), 344-357.

Subotnik, Rose, "Adorno's Diagnosis of Beethoven's Late Style: Early Symptoms of a Fatal Condition," Journal of the American Musicological Society, 29, 1976, 251-3

Subotnik, Rose, "The Historical Structure: Adorno's 'French' Model for the Criticism of 19th Century Music," 19th Century Music, 2, 1978, 36-60

Subotnik, Rose, review of Said, Musical Elaborations,in JAMS, 46, 1993, 476-485

Sutton, Emily, Aubrey Beardsley and British Wagnerism in the 1890s, Oxford University Press, 2002

Taruskin, Richard, "Resisting the 'Ninth'," 19th Century Music, 12, 1989, 214-256 [Romantic absolutism / political authoritarianism]

Taruskin, Richard, article on Tchaikovky's homosexuality, New Republic, Jan or Feb 1995

Taruskin, Richard, Who was Shostakovich," Atlantic Monthy, Feb. 1995, 62-72

Tawa, Nicholas, "Early Democratic Song and the Representation of an American Arcadia," Music and Context: Essays for John Ward, Cambridge, 1985, 108-125

Thatcher, David, "Musical Settings of Nietzsche Texts: An Annotated Bibliography, III," Nietzsche Studies, 15, 1986, 440-452

Theobald, Marjoria, "The Sin of Laura: The Meanings of Culture in the Education of 19th-Century Women," Journal of the Canadian Historical Association, 1, 1990, 257-271 [woman at piano motif]

Tucker, John, "Pound, Vorticism and the New Esthetic," Moasic, 16, 4, 1983, 83-96

Turbow, Gerald, "Art and Politics: Wagnerism in France," in David Large and William Weber, eds., Wagnerism in European Culture and Politics, Ithaca: Cornell University Press, 1984, 134-166

Tyler, Linda, "'Commerce and Poetry Hand in Hand': Music in American Department Stores, 1880-1930," Journal of the American Musicological Society, XLV, 1, 1992, 75-120

Vaget, Hans Rudolf; Wellbery, David E. (reply), "Mann, Joyce, Wagner: The Question of Modernism in Doctor Faustus," in Herbert Lehnert, Peter Pfeiffer, eds., Thomas Mann's Doctor Faustus: A Novel at the Margin of Modernism. Columbia, SC: Camden House, 1991, 167-197.

Vaughan, Gerhard, "Maurice Denis and the Sense of Music", Oxford Art Journal, 7, 1, 1984, 38-48

Verdi, Richard, "Musical Influences on the Art of Paul Klee," Museum Studies, 3, 1968, 81-105 [journal of the Art Institute of Chicago]

Vergo, Peter, Art in Vienna, 3rd ed., London, 1993, 67ff [Klimt's Beethoven cycle]

Vergo, Peter, "Music and the Visual Arts," in Keith Hartley, et al, eds., The Romantic Spirit in German Art, 1790-1990, New York: Thames and Hudson, 1994, pp. 131-137

Vergo, Peter, "The Origins of Expressionism and the Notion of the Gesamtkunstwerk," in S. Behr, ed., Expressionism Reassessed, Manchester, 1993, 11-19

Vergo, Peter, The Music of Painting: Music, Modernism, and the Visual Arts from Kandinsky to John Cage, London and New York: Phaidon, 2010.

Ward, Brian, Just My Soul Responding: Rhythm and Blues, Black Consciousness, and Race Relations, Berkeley, 1998

Waters, Edward, "Lizst and Longfellow," Musical Quarterly, 1955, 1-25

Watkins, Glenn, Pyramids at the Louvre: Music, Culture and Collage from Stravinsky to the Postmodernists, Cambridge: Harvard University Pres, 1994

Weber, William, Music and the Middle Class: Concert Life in London, Paris, Vienna 1830-1848, New York: Holmes and Meier, 1975

Webster, James, "Music, Pathology, Sexuality: Beethoven, Schubert," 19th Century Music, 17, 1, 1993, 89-93

Weiner, Marc A., "Wagner's Nose and the Ideology of Perception," Monatshefte für Deutschen Unterricht, Deutsche Sprache und Literatur, 1989 Spring, 81:1, 62-78.

Weiner, Marc. Richard Wagner and the Anti-Semitic Imagination, Nebraska, 1995.

Wellbery, David, "Nietzsche - Art - Postmodernism: A Reply to Jurgen Habermas," Stanford Italian Review, 1986, 6:1-2, 77-100.

Weltzien, O., "Notes and Lineaments: Vaughan Williams Job: A Masque for Dancing and Blake's Illustrations," Musical Quarterly, 76, 1992, 301-336

Wilton, Painting and Poetry: Turner's Verse Book and His Work of 1804-1811, London, 1990, 69ff [aeolian harp]

Winterbourne, A. T., "Wagner's Ring and the Nature of Freedom: Some Kantian Speculations," British Journal of Aesthetics, 1988 Autumn, 28:4, 341-351.

Wolff, Hellmuth, "Max Klingers Verhältnis zur Musik," in exhibition catalogue, Max Kilnger. Wege zum Gesamtkunstwerk, Mainz, 1984, 81-90

Zemko, Sue, "Wagner's Opera of Redemption: Parsifal at Bayreuth," Criticism: A Quarterly for Literature and the Arts, 27:3, 1985, 263-282

Zuck, Barbara, A History of Musical Americanism, Ann Arbor, 1978/80

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