A bibliography of music in literature, art and society

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Becker, J., "Amphion en Hercules in Amsterdam: Vondel's bijschrift op Diedrick Sweelinck," Spiegel der Letteren, 33, 1-2, 1991, 49-68

Bianconi, Lorenzo, Music in the Seventeenth Century, Cambridge: CUP. 1987 [Italy; rev. Early Music, 16, 1988, 417-]

Bowers, Jane, "The Emergence of Women Composers in Italy, 1566-1700," in Jane Bowers and Judith Ticks, eds., Women Making Music: The Western Art Tradition 1150-1950, Champaigne and Chicago: 1987, 116-162

Bridges, D., "The Social Setting of 'Musica da Camera' in Rome, 1667-1700, PhD, George Peabody College for Teachers, 1976

Buijsen, Edwin and Louis Peter Grijp, Music and Painting in the Golden Age, The Hague: Hoogsteder and Hoogsteder, 1994

Byard, Margaret, "'Adventrous Song': Milton and the Music of Rome," 305-28 IN Di Cesare, Mario A. (ed. & introd.). Milton in Italy: Contexts, Images, Contradictions. Binghamton : Medieval and Renaissance Texts and Studies, 1991.

Camiz, Franca Trinchieri, "17th Century Mirrors of Musical Vogues in Rome," Hamburgher Jahrbuch für Musikwissenschaft, 12, 1994, 53-63

Camiz, Franca Trinchieri, "Music and Painting in Cardinal del Monte's Household," Metropolitan Museum Journal, 26, 1991, 213-224

Camiz, Franca Trinchieri, "Putti, eunuchi, belle cantatrici: l'iconographie des chanteurs en Italie," Musique, Images, Instruments, 2, 199X?, 8-17

Camiz, Franca Trinchieri, "The Castrato Singer: from Informal to Formal Portraiture," Artibus et Historiae, 18, 1988, 171-186

Chater, J., "Musical Patronage in Rome at the Turn of the 17th Century: The Case of Cardinal Montalto," Studi Musicali, 16, 2, 1987, 212-215

Christiansen, Keith, "Some Observations on the Relationship Between Caravaggio Two Treatments of the Lute Player," Burlington Magazine, Jan. 1990, 21-26 [also discussed pp. 4-20]

Cusick, Suzanne, "'There was not one Lady Who Failed to Shed a Tear': Arianna's Lament and the Construction of Early Modern Womanhood," Early Music, 22, 1994, 21-41

Cusick, Suzanne, "Re-voicing Arianna (and Laments): Two Women Respond," Early Music, 27, August 1999, 437-448

De Jonghe, E., Portretten van echt en trouw, 1986, pp. 40-45, 280-288

Dickinson, Alis, "The Courante 'La Vignonne'," Early Music, 10, 1, 1982, 56-63 [Louis XIV and dance]

Eccles, Solomon, A Musick-Lector: or, the Art of Musick, London, 1667

Finney, Gretchen Ludke, Musical Backgrounds for English Literature, 1580-1650, New Brunswick: Rutgers Univ. Press, 1962, repr. Greenwood Press, 1976

Fischer, Pieter, Music in Paintings of the Low Countries in the 16th and 17th Centuries, Amsterdam, 1975

Ford, Terence, "Andrea Sacchi's 'Apollo Crowning the Singer Marc'Antonio Pasqualini," Early Music, Feb 1984, 79-84

Gilbert, Creighton, Caravaggio and His Two Cardinals, Penn State Press, 1994

Giustiniani, Vincenzo, Discorso sopra la musica, Musicological Studies and Documents, 9, trans. Carol MacClintock, American Institute of Musicology, 1962, 65-80; also printed in earlier Musica Disciplina or JAMS

Gouk, Penelope, "Music in the Natural Philosophy of the Early Royal Society," Ph.D., Warburg Institute, 1982

Grijp, Louis Peter, "Dutch Music of the Golden Age," in Edwin Buijsen and Louis Peter Grijp, Music and Painting in the Golden Age, The Hague: Hoogsteder and Hoogsteder, 1994, 63-80

Grose, Christopher, "The Lydian Airs of 'l'allegro' and 'Il penseroso'," Journal of English and Germanic Philology, 83, Apr. 1984, 183-199 [John Milton]

Hammond, F., "Girolamo Frescobaldi and a Decade of Music in Casa Barberini, 1634-1644," Analecta Musicologica, 1979, 100-103

Hammond, F., More on Music in Casa Barberini," Studi Musicali, 14, 1, 1985, 239-41

Hammond, Frederick, Music and Spectacle in Baroque Rome: Barberini Patronage under Urban VIII, New Haven: Yale, 1994

Harris-Warrick, Rebecca and Carol Marsh, Musical Theater at the Court of Louis XIV: Le Mariage de la Grosse Cathos, Cambridge University Press, 1994

Hartmann, Arnold, "Guarini and 'Il Pastor Fido'," Musical Quarterly, 1953, 415-425

Heller, Wendy, Chastity, Heroism and Allure: Women in the Opera of Seventeenth-century Venice, Berkeley, 2000

Holford-Strevens, classical antecedents of Renaissance laments: see CLASSICAL

Hollander, John, The Untuning of the Sky: Ideas of Music in English Poetry, 1500-1700, Princeton, 1961

Huygens, Constantyn, Use and Nonuse of the Organ in the Churches of the United Netherlands, trans. Ericka Smit-Vanrotte, New York: Institute of Medieval Music, 19XX

Isherwood, Robert, Music in the Service of the King, 1982?

Jonckbloet, W. J. A., and J.P.N. Land, eds., Musique et musiciens au XVII siècle: correspondence et oeuvres musicales de Constantijn Huygens, Leiden, 1882

Jorgens, Elise Bickford, The Well-Tun'd Word: Musical Interpretations of English Poetry 1597-1651, Minneapolis, Univ of Minnesota, 1982

Kent, H. S. K., “Puritan attitudes to music,” Miscellanea Musicologia, Adelaide Studies in Musicology. 1, 1966, 191-224

Land, J. P. N., "Nalezing op de muzikale briefwisseling van Constantijn Huygens," Tijdschrift van de Vereniging voor Nederlandse Muziekgeschedenis, 3, 4, 1891, 219-227

Legêne, Eva, "A 'Fooolish Passion for Sweet Harmony'," in Edwin Buijsen and Louis Peter Grijp, Music and Painting in the Golden Age, The Hague: Hoogsteder and Hoogsteder, 1994, 81-110

Leppert, Richard, "Concert in a House: Musical Iconography and Musical Thought," Early Music, 7, 1979, 3-17 [Dutch and Flemish Baroque art]

Leppert, Richard, Arcadia et Versailles: Noble Amateur Musicians and Their Musettes and Hurdy-gurdies at the French Court (c. 1660-1789): A Visual Study, Amsterdam: Swets and Zeitlinger, 1978

Leppert, Richard, The Theme of Music in Flemish Paintings of the Seventeenth Century, Munich, 1977

Little, Meredith, "Dance Under Louis XIV and XV: Some Implications for the Musicians," Early Music, 3, 1975, 331-340

MacNeil, Anne, "Weeping at the Water's Edge," Early Music, 27, August 1999, 407-417

McIver, Katherine, M.A. thesis on music in Vermeer, UC Santa Barbara?, 1989-90?

Medina, Angel and Joyce Medina, "Orpheus: Nature and Psyche, from Allegory to Symbol in Titian, Rubens and Poussin," in Ronald Bogue and Mihai Spariosu, eds., The Play of the Self, Albany: State Univ of New York, 1994, 221-250

Meijer, Bert, "Harmony and Satire in the Work of Niccolo Frangipane: Problems in the Depiction of Music," Simiolus, 6, 1972-3, 99-

Middleman, Louis, "Another Canon in Donne's Canonization," English Language Notes, 22, June, 1985, 37-39

Mirimonde, A. P. de, "Les Concerts parodiques chez les maitres du Nord," Gazettes des beaux-arts, 64, 1964, 253-84 [bird concerts in Flemish Baroque paintings: J Bruegel, Fyt, Snyders]

Monson, Craig, Disembodied Voices: Music and Culture in the Early Modern Italian Convent, Berkeley, 1995

Moreno, Ignacio Lamarque, "Music and Its Symbolism in Seventeenth-century Dutch Painting," Ph.D., University of Maryland, College Park, 1990, [DAI 1990 51(5) 1424A

Moreno, Ignacio Lamarque, "Vermer's 'The Concert': A Study in Harmony and Contrasts," Rutgers Art Review, Spring 1982, 50-57

Murray, Douglas, "The Royal Harmony: Music and Politics in Dryden's Poetry," Restoration, 11, 1, 1987, 38-47

Palisca, Claude, "Scacchi's Defence of Modern Music 1649," in Words and Music: The Scholar's View, Cambridge, USA, 1972

Paterson, Timothy, "Bacon's Myth of Orpheus: Power as a Goal of Science in 'Of the Wisdom of the Ancients,'" Interpretation, 16, 3, 1989, 427-444

Powell, John, "Music and the Self-fulfilling Prophecy in Molière's 'Le mariage forcé'," Early Music, May, 1993, 213-230

Price, Curtis, Music in the Restoration Theater, Ann Arbor: UMI, 1979

Rasmussen, Mary and Friedrich von Huene, "Some Recorders in 17th-Century Dutch Painting," Early Music, 10, 1, 1982, 30-35

Raupp, Hans, Oud Holland, 1978, 106-129 [article on music in 17th c Dutch self-portraits to intellectualize art and raise artist's social status; material republished in his 1984 book, Untersuchungen zu Künstlerbildnis ...

Rosand, David and Ellen Rosand, "'Barbara di Santa Sofia' and 'Il Prete Genovese': On the Identity of a Portrait by Bernardo Strozzi," Art Bulletin, LXIII, 2, 1981, 249-258

Rosand, Ellen, "The Voice of Barbara Strozzi," Jane Bowers and Judith Ticks, eds., Women Making Music: The Western Art Tradition 1150-1950, Champaigne and Chicago: 1987, 168-190 [17th c. Venetian composer, singer]

Rosand, Ellen, Opera in Seventeenth-Century Venice, Berkeley, 1991

Roselli, J., "The Castrati as a Professional Group and a Social Phenomenon, 1550-1850," Acta Musicologica, 1988-1993??

Rosow, Lois, "Making Connections: Thoughts on Lully's Entr'actes," Early Music, May 1993, 231ff [slide: Por of Lully, p. 222

Russell, H. Diane, Claude Lorrain, 91-92

Sadie, Julie Anne, "Musiciennes of the Ancien Régime," in Jane Bowers and Judith Ticks, eds., Women Making Music: The Western Art Tradition 1150-1950, Champaigne and Chicago: 1987, 191-216 [17-18th century France]

Sadie, Julie Anne, Companion to Baroque Music, Berkeley, 1998 [565 pp]

Scholes, Percy, The Puritans and Music in England and New England, London: Oxford University Press, 1934

Seidel, Wilhelm, "Musiktheorie im 16. und 17. Jahrhundert," idem, Entstehung nationaler Traditionen, Darmstadt, 1986, 4-140

Slim, H. Colin, "Musical Inscriptions in Paintings by Caravaggio and His Followers," Music and Context: Essays for John Ward, Cambridge, 1985, 246-7

Smits-Veldt, Mieke, "Orpheus, dichter-leermeester, minnaar en martelaar: Literaire gedaanten van de mythe in de Nederlanden der zerstiende en zeventiende eeuw," Lampas, 21, 4-5, December, 1988, 361-367

Sonnema, Roy Brian, "Representations of Music in Seventeenth Century Dutch Painting," Ph.D., Berkeley, 1990 [DAI 1991 51(11) 3540-A]

Sonnema, Roy, "

Stein, Louise, Songs of Mortals, Dialogues of the Gods. Music and Theater in Seventeenth-Century Spain, Oxford, 199?

Stevens, J. R., "Hands, Music and Meaning in Seventeenth-century Dutch Paintings," Imago Musicae, 1, 1984, 75-102

Thiel, P. van, "Marriage Symbolism in a Musical Party by Jan Miense Molenaer," Simiolus, 2, 1967-68, 91-99

Tomlinson, Gary, Monteverdi and the End of the Renaissance, Berkeley: Un of Cal, 1987

Vergo, Petero, That Divine Order: Music and the Visual Arts from Antiquity to the Eighteenth Century, London & New York: Phaidon, 2005

Vries, S. G. de, "'De Musyck-Boecken' in het bezit van Constan. Huygens," Tijdschrift van de Vereniging voor Nederlandse Muziekgeschedenis, 6, 4, 1900, 253-264

Westrup, J. A., "Domestic Music under the Stuarts," PRMA, lxviii, 1941-2,

Würtenberger, F., Malerei und Musik, Frankfurt, 1979, esp. ch. 3, "Musikalische Maler im 17. Jahrhundert".



Barry, K., Language, Music and the Sign: A Study in Aesthetics, Poetics and Poetic Practice from Collins to Coleridge, Cambridge University Press, 1987 [Collins, Blake, Cowper, Wordsworth, Coleridge]

Bedford, Arthur, The Great Abuse of Music, London, 1711

Bonds, Mark, Wordless Rhetoric. Musical Form and the Metaphor of the Oration, Cambridge:" Harvard Un Press, 1991

Boyd, Malcolm, ed., Music and the French Revolution, Cambridge: CUP, 1992

Brewer, John, The Pleasures of the Imagination: English Culture in the 18th Century, New York, 1997, chapters 8-10

Cicora, "Beethoven, Shakespeare and Music: Visual Music in 'Doktor Faustus'," Deutsche Vierteljahrschrift für Literatur und Geistegeschichte, 63, 2, 1989, 267-281

Donaldson, W., The Jacobite Song: Political Myth and National Identity

Hufstader, Alice Anderson, "Musical References in Blue-Stocking Literature," Musical Quarterly, 47, 1961, 73-90 [18th century English]

Huray, Peter le and James Day, Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries, Cambridge: Cambridge Univ. Press, 198X

Jander, Owen, "The Prophetic Conversation in Beethoven's 'Scene by the Brook'," Musical Quarterly, 77, 1993, 508-559 [images of figure in landscape]

Kramer, Lawrence, "Music and Representation: The Instance of Haydn's 'Creation'," in Steven Scher, ed., Text and Music: Critical Inquiries, Cambridge, 199

Leppert, Richard, Arcadia et Versailles: Noble Amateur Musicians and Their Musettes and Hurdy-gurdies at the French Court (c. 1660-1789): A Visual Study, Amsterdam: Swets and Zeitlinger, 1978

Leppert, Richard, Music and Image: Domesticity, Ideology and Socio-Cultural Formation in Eighteenth-century England, Cambridge and New York: Cambridge University Press, 1988 [feminized men 22-5, 107-29) [rev. D. Scott, Mus Q 75, 1991, 82; S Miller, Art History, 13, Sept 1990]

Lockwood, Elizabeth M., “Jane Austen and Some Drawing-room Music of Her Time,” Music and Letters, 15, 1934, 112-119

McGeary, Thomas, "Shaftesbury on Opera, Spectacle, and Liberty," Music and Letters, 74, 4, 1993, 530-

Newbauer, John, The Emancipation of Music from Language: Departure from Mimesis in Eighteenth-Century Aesthetics, New Haven: Yale Un. Pr., 1986

Noske, Frits, “Sound and Sentiment: the Function of Music in the Gothic Novel,” Music and Letters, 62, 1981, 162-166

Oliver, Alfred, The Encyclopedists as Critics of Music, New York: Columbia University Press, 1947

Paul, Charles, "Music amd Ideology: Rameau, Rousseau, and 1789," Journal of the History of Ideas, 32, 3, 1971, 395-410

Ringer, Alexander, "J. J. Barthélemy and Musical Utopia in Revolutionary France, Journal of the History of Ideas, 1961, 355-368

Rolland, Romain, "Goethe's Interest in Music," Musical Quarterly, 1931, 157-194

Sadie, Julie Anne, "Musiciennes of the Ancien Régime," in Jane Bowers and Judith Ticks, eds., Women Making Music: The Western Art Tradition 1150-1950, Champaigne and Chicago: 1987, 191-216 [17-18th century France]

Sadie, Stanley, “Concert Life in Eighteenth-century England,” Proceedings of the Royal Musical Association, 85, 1958-9, 17-30

Schroeder, David, "Haydn and Gellerti: Parallels in Eighteenth-century Music and Literature," Current Musicology, 35, 1983, 7-18

Stauder, Ellen, "Towards a Grammar of Relationships: The Rhetoric of Music in Pound and Rousseau," Paideuma, 17, 1, 1988, 45-57

Sternfeld, Frederick, "Goethe and Music," Musical Quarterly, 1956, 105-107

Subotnik, Rose, "Whose Magic Flute? Intimations of Reality at the Gates of the Enlightenment," 19th Century Music, 15, 1991, 132-150

Suistola, Jouni, "From Savagery to Nobleness: How the Turks Entered Mozart's Compositions," Faravid, 11, 1987, 131-137

Suistola, Jouni, "From Savagery to Nobleness: How the Turks Entered Mozart's Compositions," Faravid, 11, 1987, 131-137

Vergo, Petero, That Divine Order: Music and the Visual Arts from Antiquity to the Eighteenth Century, London & New York: Phaidon, 2005

Wallace, Robert, Jane Austen and Mozart: Classical Equilibrium in Fiction and Music, Athens: Univ of Georgia Press, 1983 [rev. Kramer, 19th Century Music, 8, 1985, 277]

Weber, William, "La musique ancienne in the Waning of the Ancien Regime," Journal of Modern History, 56, 1984, 58-88

Weber, William, The Rise of Musical Classics in 18th Century England, Oxford: Clarendon Press, 1992 [rev Notes, Dec 93, 540

Wilson, Michael, “Music Rooms of the Eighteenth Century,” Country Life, 134, 1963, 1672-4


19TH AND 20TH CENTURIES (except art/music analogy) *

Abbate, Carolyn and Roger Parker, eds., Analyzing Opera: Verdi and Wagner, Berkeley: Un of Cal Press, 1989

Abbate, Carolyn, Unsung Voices. Opera and Musical Narrative in the Nineteenth Century, Princeton: Pr Un Pr, 1991 [rev. L Kramer, 19th C Music, 15, 1992, 235]

Adorno, Theodor, "Late Style in Beethoven," Raritan, 13, 1993, 102-107

Adorno, Theodor, "Music, Language, and Composition," Musical Quarterly, 77, 1993, 401-414

Adorno, Theodor, "On the Fetish Character in Music and the Regression of Listening," (1938) repr. in The Essential Frankfurt School Reader, ed. Andrew Arato and Eike Gebhardt, New York: Urizen Books, 1978, 286-299

Adorno, Theodor, "Wagner's Relevance for Today," Grand Street, 11, 4, 1993, 32-59

Adorno, Theodor, In Search of Wagner, Verso 1991

Adorno, Theodor, October, 26, 1989

Adorno, Theodor, Philosophy of Modern Music, New York: Seabury Press, 1973

Applegate, Celia and Pamela Potter, Music and German Nationalism, Chicago: University of Chicago Press, 2002

Arblaster, Anthony, Viva la liberta! Politics in Opera, London: Verso

Auerbach, Emily, "The Musician in the Victorian Novel," PhD, DAI 42(4) Oct 1981, 1642A

Baldwin, Robert, “Vuillard, Nabis Aesthetics, and the Feminine Interior,” essay of 2010 posted at www.socialhistoryofart.com [musical aesthetics, interiority, gender]

Barlow, Linda, "Musical Imagery in the Poetry of Keats," Ph.D., DAI 45(8) Feb 1985, 2531A

Barricelli, Jean-Pierre, Melopoiesis, Approaches to the Study of Literature and Music, New York: NYU Press, 1988 [19th c]

Bartlett, Brian, "'Inscrutable Workmanship': Music and Metaphors of Music in the Prelude and the Excursion," Wordsworth Circle, 17, 3, 1986, 175-180

Bauer, Marion, "Literary Lizst," Musical Quarterly, 1936, 295-313

Beckson, Karl, “A Review Essay: Perfect and Imperfect Wagnerites,” Modern Language Studies, 1984, review of Furness and another book on Wagnerism

Bedriomo, Emile, "Proust, Wagner et la coincidence des arts," Ph.D., 198X, DAI. 1983 Jan., 43:7, 2360A.

Berghaus, Gunter, "A Theatre of Image, Sound and Motion: On Synaesthesia and the Idea of a Total Work of Art," Maske und Kothurn: Internationale Beitrage zur Theaterwissenschaft, 1986, 32:1-2, 7-28.

Berman, Laurence, The Musical Image, Westport: Greenwood Press, 1993 [Hodler?]

Bernard, Elisabeth, "Paris 1887: Les Aventures du chevalier Lohengrin," Romantisme: Revue du Dix Neuvième Siecle, 1986, 16:52, 95-112.

Bernard, S, Mallarmé et la musique, Paris, 1959

Bernhart, Ingeborg, "Richard Wagner und die Symbolisten: Zur Darstellung der Wagner-Rezeption in Frankreich," Neohelicon: Acta Comparationis Litterarum Universarum, 1979-1980, 7:2, 283-298.

Bidner, Martin, "The Aeolian Harp Reconsidered: Music of Unfulfilled Longing: Tjutchev, Morike, Thoreau, and Others," Comparative Literature Studies, 22, 1985, 329-343

Bisanz-Prakken, Marian, Gustav Klimt. Der Beethovenfries: Geschichte, Funktion und Bedeutung, Salzburg, 1977

Block, Adrienne Rich, "Dvorak, Beach and American Music," in H. Wiley Hitchcock, ed., A Celebration of American Music: Ann Arbor: University of Michigan Press, 1990, 256- [debates over "American" national music vis a vis Native American, African-American, Irish-American, etc.]

Boulez, Pierre, "Le Temps re-cherche," in Hulle Keeding, Maria ed., Kunst und Realitat im Spiegel europäischen Denkens: Festschrift zum 85. Geburtstag von Walter Monch. Bonn: Romanistischer, 1991. 79-100 [Wagner and Proust]

Bouverot, Danielle, "Histoire de la langue et histoire de l'art: A propros de quelques termes de musique et de peinture au XIX siècle," in Bernard Guidoux, ed., Etudes de langue et de littérature françaises offertes à André Lanly, Nancy: Univ. de Nancy, 1980, 421-430

Bradley, Marshell Carl, "Nietzsche's Critique of Pure Reason: With a Nietzschean Critique of Parsifal," Neophilologus, 1988 July, 72:3, 394-403.

Breuer, Hans Peter, "Form and Feeling: George Bernard Shaw as Music Critic," Journal of Irish Literature, 1982 Sept., 11:3, 74-102.

Bridges, George, "The Almost Irresistible Appeal of Fascism: Or, Is It Okay to Like Richard Wagner?," Germanic Review, 1989 Winter, 64:1, 42-48.

Briggs, Harold E., "Richard Wagner and American Music-Literary Activity from 1850 to 1920," Ph.D., 198X, DAI. 1990 June, 50:12, 3784A.

Brinkmann, Reinhold, “In the Time of the Eroica”, in Scott Burnham and Michael Steinberg, eds., Beethoven and His World, Princeton University Press, 2000,

Brody, Elaine, "Musical Settings of Symbolist Poems," in Anna Balakian, ed., The Symbolist Movement in the Literature of European Languages, Budapest, 1982, 483-491

Brody, Martin, "'Music for the Masses': Milton Babbitt's Cold War Music Theory," Musical Quarterly, 77, 1993, 161-192

Broyles, Michael, "Music and Class Structure in Antebellum South," Journal of the American Musicological Society, 44, 1991, 451-493

Broyles, Michael, Music of the Highest Class: Elitism and Populism in Antebellum Boston, New Haven: Yale University Press, 1992 [Music Department, University of Maryland]

Burgan, Mary, "Heroines at the Piano: Women and Music in Nineteenth-Century Fiction," Victorian Studies, 30, 1, 1986, 51-76

Burnham, Scott, Beethoven Hero, Princeton: PUP, 1995

Byerly, Alison, "'The language of the soul': George Eliot and Music," Nineteenth-century Literature, 44, June 1989, 1-17

Calhoun, Martha Anne, "The 'Revue Wagnerienne' and the Literature of Music: The Translation of an Aesthetic," Ph.D., 198X, DAI. 1988 Nov., 49:5, 1160A.

Callet, Janet Leigh, “The Performative Voice in Malarmé’s ‘Poetic Reverie’,” French Forum. 28, 2003, [Wagnerism and music as model for literature]

Champa, Kermit, “Painted Responses to Music: The Landscapes of Corot and Monet,” in Marsha Morton and Peter Schmunk, eds., The Arts Entwined: Music and Painting in the Nineteenth Century, New York: Garland, 2000, pp. 101-118

Chmaj, Betty, "Father Heinrich as kindred spirit: or How the log-house Composer of Kentucky Became the Beethoven of America," American Studies, 24, fall, 1983, 35-57

Cicora, Mary A., "From Metonymy to Metaphor: Wagner and Nietzsche on Language," German Life and Letters, 1988 Oct., 42:1, 16-31.

Cicora, Mary A., "Wagner Parody in Doktor Faustus," Germanic Review, 1988 Summer, 63:3, 133-139.

Cicora, Mary A., Parsifal Reception in the Bayreuther Blatter, New York : Peter Lang, 1987.

Clement, Catherine, Opera or the Undoing of Women, Minneapolis: Un of Minn Press, 1988

Coeuroy, Andre, "Flaubert the Musician," Musical Quarterly, 1926, 327-333

Coeuroy, Andre, "Music in the Work of Marcel Proust," Musical Quarterly, 1926, 132-151

Cone, Edward, Music: A View from Delft, Selected Essays, Chicago: University of Chicago Press, 1989 [rev 19th C Music 14, 1991, 279

Cook, Susan, Opera for a New Republic: The Zeitopern of Krenek, Weill, and Hindemith, Ann Arbor: UMI Press, 1988

Crawford, John and Dorothy Crawford, Expressionism in Twentieth-Century Music, Bloomington: Univ. of Indiana Press, 1993

Crosby, Donald H., "Freedom through Disobedience: Die Jungfrau von Orleans, Heinrich von Kleist, and Richard Wagner," in Alexej Ugrinsky, ed., Friedrich von Schiller and the Drama of Human Existence. New York : Greenwood, 1988. 37-42

Crozier, Eric, "'O bygone whirls': Music in the Poetry of Thomas Hardy," Early Music, 8, 3, 1980, 291-297

Cumming, Mark, "Wagner, Verlaine and Arthur Symons' 'Parsifal'," English Language Notes, 25, Sept. 1987, 66-73

Dabeziesr, Andre, "Tristan 'fin de siècle'?," in Ponnau, Gwenhael, ed., Fin de siècle: Terme - evolution-revolution?, Toulouse: PU du Mirail, 1989, 375-80.

Dahlhaus, Carl, Nineteenth Century Music, Berkeley, 1989

Dahlhaus, Carl, The Idea of Absolute Music, Chicago: Univ. of Chicago Press, 1989

Daverio, John, "Symmetry and Chaos: Friedrich Schlegel's Views on Music," Nineteenth-Century Contexts, 11, 1, 1987, 51-62

Daverio, John, Nineteenth-Century Music and German Romantic Ideology, Schirmer Books, 1993

Davies, Paul, "Music and the Nachtwachen: A Study of Musical Elements in Bonaventura's Novel within the Context of German Romanticism," Diss Abstracts, vol. 47 (12), June 1987, p. 4401A

Davis, Mary, Classic Chic: Music, Fashion, and Modernism, Berkeley: University of California Press, 2006

De Gorog, Lisa, From Sibelius to Sallinen: Finnish Nationalism and the Music of Finland, New York: Greenwood Press, 1989

Dennis, David, Beethoven in German Politics, 1870-1989, New Haven: Yale University Press, 1996

DeNora, Tia, Beethoven and the Construction of Genius. Musical Politics in Vienna, 1792-1803, Berkeley, 1996, [slammed by Charles Rosen in NYRB Nov 11, 1996]

DeVeaux, Scott, The Birth of Bebop: A Social and Musical History, Berkeley, 1997

Dineen, Murray, "Adorno and Schoenberg's Unanswered Question," Musical Quarterly, 77, 1993, 415-427

Dirikx, Luc, "Richard Wagners muziek en dichtkunst in het werk van Louis Couperus," Dietsche Warande en Belfort: Tijdschrift voor Letterkunde en Geestesleven, 1984 June, 129:5, 344-352.

Dix, Robin, "The Harps of Memnon and Aeolus: A Study in the Propagation of an Error," Modern Philology, 85, Feb. 1988, 288-293

Dixon, Laurinda, "Art and Music at the Salons de la Rose + Croix, 1892-1897", in Gabriel Weisberg and Laurinda Dixon, eds., The Documented Image: Visions in Art History, 1988?, 165-186

Donaldson (under 18th) Jacobite song

Donnan, Thomas M., "Proust 'Reprit á la musique son bien': A Study in Analogies between Wagnerian and Proustian Composition," Stanford French Review, 1989 Fall-Winter, 13:2-3, 159-174.

Donnan, Thomas Milton, "The Role of Richard Wagner in Marcel Proust's Artistic Eudemonism," Ph.D., 198X, DAI. 1983 Nov., 44:5, 1468A.

Dorra, H. "Le 'Texte Wagner' de Gauguin," Bulletin de la Société de l'histoire de l'art français, Paris, 1984

Dumling, Albrecht, "On the Road to the 'Peoples' Community' (Volksgemeinschaft): The Forced Conformity of the Berlin Academy of Music under Fascism," Musical Quarterly, 77, 1993, 459-483

Egri, Peter, "Creative Imagination as Romantic Value: Field, Chopin, Shelley, and Turner," Acta Litteraria Academiae Scientiarum Hungaricae, 31, 1-2, 1989, 79-102

Ehrlich, Cyril, The Music Profession in Britain Since the Eighteenth Century: A Social History, Oxford: Clarendon Press, 1985 [rev. W Weber, Journal of Soc History, 21, 1987, 178)

Eigeldinger, Marc, "Theophile Gautier critique de Richard Wagner," Bulletin de la Société Theophile Gautier, 1986, 8, 205-213.

Evans, Margery, "Soubresaut or Dissonance? An Aspect of the Musicality of Baudelaire's 'Petits poemes en prose'," Modern Language Review, 83, 2, 1988, 314-321

Eyerman, Charlotte, “Piano Playing in Nineteenth-Century French Visual Culture,” in James Parakilas, ed., Piano Roles, New Haven: Yale, 1999. 216-235

Eyerman, Charlotte, "La femme au piano: Images of Women at the Piano in 19th-Century French Art 'High' and 'Low'," Ph.D., in progress, Berkeley

Ford, Stephen, "The Musical Form of Robert Browning's 'A Toccata of Galuppi'," Studies in Browning and His Circle, 14, 1986, 22-24

Franciscono, Marcel, "La place de la musique dans l'art de Klee: une remise en cause," in the catalogue, Klee et la musique, Paris, 1985, 19-32

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Frye, Northrop, "The World as Music and Idea in Wagner's Parsifal," Carleton Germanic Papers, 1984, 12, 37-49.

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Fulcher, Jane, “Musical Style, Meaning and Politics in France on the Eve of the Second World War,” Journal of Musicology, 13, 1995, 425-453

Fulcher, Jane, “The Concert as Political Propaganda in France and the Control of ‘Performative Context,” Musical Quarterly, 82, 1, 1998, 41-67

Fulcher, Jane, French Cultural Politics and Music from the Dreyfus Affair to the First World War, New York: Oxford University Press, 1999

Fulcher, Jane, “A Political Barometer of Twentieth-Century France: Wagner as Jew or Anti-Semite,” Musical Quarterly, 84, 1, 2000, 41-57

Fuld, James and Frances Barulich, “Harmonizing the Arts: Original Graphic Designs for Printed Music by World-Famous Artists,” Notes (Music Library Association), 43, 2, Dec. 1986, pp. 259-271

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Furness, Raymond, Wagner and Literature, Manchester University Press, 1982

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Geelhaar, Christan, "Moderne Malerei und Musik der Klassik - eine Parallele," in the catalogue, Paul Klee. Das Werk der Jahre 1919-1933, Cologne, 1979, 31-44

Gerhard, Anselm, The Urbanization of Opera, Chicago: Un of Chicago Press, 1998

Gilbert, Michael, "'Die Wunde ist's, die nie sich schliessen will' - Richard Wagner, National Socialism, and the Films of Hans-Jurgen Syberberg," Yearbook of Interdisciplinary Studies in the Fine Arts. 1989, 1, 355-406.

Gillespie, I. S., "A Suitable Case for Treatment? Wagnerphobia," Encounter. 1989 Dec, 73:5, 71-73.

Gillespie, Michael Allen, "Nietzsche's Musical Politics," in Gillespie, Michael Allen (ed.); Strong, Tracey B. ed., Nietzsche's New Seas: Explorations in Philosophy, Aesthetics, and Politics. Chicago : University of Chicago Press, 1988, 117-149

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Hertz, David, The Tuning of the Word: The Musico-Literary Poetics of the Symbolist Movement, Carbondale: Southern Ill Univ Press, 1987 [rev. L Kramer, Comp Literature Studies 25, 1988, 193]

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Jovanovski, Thomas, "Nietzsche's Subversion of the Aesthetic Socratic Dialectic," Ph..D., Duquesne Univ., DAI 1991 Dec, 52:6, 2165A. DAI No.: DA9131838.

Jumeau-Lafond, Jean-David, “Maurice Denis and Music,” in Maurice Denis. Earthly Paradise, 2006, Paris: Musée d’Orsay / Montreal: Museum of Fine Arts, pp. 286-288

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