A bibliography of music in literature, art and society




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A BIBLIOGRAPHY OF MUSIC IN LITERATURE, ART AND SOCIETY


(revised: April 2012)


Robert Baldwin

Art History

Connecticut College

rwbal@conncoll.edu


www.socialhistoryofart.com


(This web site has another 49 of my thematic bibliographies.)


Material is divided into the following sections, each marked with a single asterisk. To jump from section to section, use the search or find command seek out an asterisk.


General

Ancient

Medieval

15-16th Century, Renaissance

17th Century, Baroque

18th Century

19th-20th Centuries (except Art/Music analogy)

The Modernist Analogy Between Art and Music

Jazz


GENERAL*

"The Composer in the Marketplace," theme issue of Journal of the Royal Musical Association, 114, 1, 1989,

Makings of Music: Sociology, Contexts, and Creators of the Art," International Social Science Journal, 34, 4, 1982, 555-719


Attali, Jacques, Noise: The Political Economy of Music, Minneapolis: University of Minnesota Press, 1985

Backhus, J., The Accoustical Foundations of Music, London, 1970, [on pythagorean system/cosmic music]

Ballantine, Christopher, Music and Its Social Meanings. New York, 1984 [rev Br J of Music Educ, Mar 87; Musicm and Letters 66, 1985, 381]

Ballstaedt, Andreas and Tobias Widmaier, Salonmusik: Zur Geschichte und Funktion einer bürgerlichen Musikpraxis, Stuttgart, 1989

Bergeron, Katherine and Philip Bohlman, eds., Disciplining Music: Musicology and Its Canons, Chicago: Univ. of C. Press, 1992

Blacking, John, How Musical is Man?, Seattle: Un. of Washington Press, 1973

Blaukopf, Kurt, Musik im Wandel der Gesellschaft, Munich, 1982

Bowers, Jane, Women's Lamenting Traditions Around the World: A Survey and Some Significant Questions," Women and Music, 2, 1998, 125-146

Brown, Howard and Joan Lascelle, Musical Iconography: A Manual for Cataloguing Musical Subjects in Western Art Before 1800, Cambridge: Harvard Uni. Press, 1972

Chanan, Michael, Musica Practica. The Social Practice of Music from Gregorian Chants to Postmodernism, Routledge, 1994

Citron, Marcia, "Gender, Professionalism and the Musical Canon," Journal of Musicology, 8, 1990, 102-117

Citron, Marcia, Gender and the Musical Canon, Cambridge University Press, 1993

Curtius, E. R. European Literature and the Latin Middle Ages, pp. 95-97 musical animals [also see MEDIEVAL, Bond]

Dasilva, Fabio, et AL, The Sociology of Music, Notre Dame: 1984 [rev. Ethnomusicology spr-summ 86]

Davies, Stephen, Musical Meaning and Expression, Ithaca: Cornell University Press, 1994?

Dent, Edward, "The Relation of Music to Human Progress," Musical Quarterly, 1928, 307-319

Durant, Alan, Conditions of Music, Albany: State Un of New York Press, 1984 [rev S Frith, New Statesman, Feb 1 1985]

Ehrlich, Cyril, The Piano: A History, Oxford: Clarendon Press, 1990

Ericson, Margaret, Women and Music. A Selective Annotated Bibliography on Women and Gender Issues in Music, 1987-1992, GK Hall, 1996

Forsyth, Michael, Buildings for Music, Cambridge: MIT Press, 1985 [17-20th c.]

Harris, Clement, "Music in the World's Proverbs," Musical Quarterly, 1933, 382-392

Harris, Clement, "Musical Allusions of Great Writers," Musical Quarterly, 1916, 465-476

Harris, Clement, "Musical Animals in Ornament," Musical Quarterly, 1920, 417-425

Hildebrandt, Dieter, A Social History of the Piano, New York, 1988

James, Jamie, The Music of the Spheres: Music, Science and the Natural Order of the Universe, Grove, 1993

Kaemmer, John, Music in Human Life. Anthropological Perspectives on Music, Austin, 1993

Kerman, Joseph, Contemplating Music: Challenges to Musicology, Cambridge, MA 1985

Lenneberg, Hans, "Speculating About Sociology and Social History," Journal of Musicology, 6, 1988, 409-420

Leppert, Richard, "Sexual Identity, Death, and the Family Piano," 19th Century Music, XVI, 2, 1992, 105-128

Leppert, Richard, and Susan McClary, eds ed., Music and Society: The Politics of Composition, Performance, and Reception, Cambridge University Press, 1987

Leppert, Richard, The Sight of Sound: Music, Representation and the Body, Berkeley, 1993

Loesser, Arthur, Men, Women, and Pianos: A Social History, New York, 1954

McClain, Ernest, "Plato's Musical Cosmology," Main Currents in Modern Thought, 30, 1972, 34-42

McClain, Ernest, Pythagorean Plato

Narmour, Eugene and Ruth Solie, Explorations in Music, the Arts and Ideas, Stuyvesant, 1988

Nettl, Bruno and Philip Bohlman, eds., Comparative Musicology and Anthropology of Music, Berkeley, 1991

Norris, Christopher, "Utopian Deconstruction: Ernst Bloch, Paul de Man, and the Politics of Music," Paragraph, 11, 1, 1988, 24-57

Norris, Christopher, ed., Music and the Politics of Culture,

Remnant, Mary, Musical Instruments, London, 1989 0-931340-23-3 [great for iconography]

Robbins, H. C. Five Centuries of Music in Venice, Thamas and Hudson, [good pictures]

Rosselli, John, "The Castrati as a Professional Group and a Social Phenomenon, 1550-1850," Acta Musicologica, LX, 1988, 143-179

Salmen, Walter, ed., The Social Status of the Professional Musician from the Middle Ages to the 19th Century, New York: Pendragon Press, 1983

Salmen, Walter, Haus und Kammermusik: Privates Musizieren im gesellschaftlichen Wandel zwischen 1600 und 1900, Leipzig, 1969

Salmen, Walter, Musikleben im 16. Jahrhundert, Lepzig, 1976

Scott, Derek, "Music and Sociology for the 1990s: A Changing Critical Perspective," Musical Quarterly, 74, 3, 1990, 385-410 [Marxist critique of musical modernism]

Serravezza, Antonio, ed., La sociologica della musica, Turin: Edizioni di Torino, 1980 (rev. JAMS)

Shepherd, John, Music as Social Text, Cambridge: Polity Press, 1991

Solie, Ruth, ed., Musicology and Difference: Gender and Sexuality in Music Scholarship, Berkeley, 1993

Steinberg, Michael, "Introduction: Music, Language, Culture," Musical Quarterly, 77, fall 1993, 397-400

Steinberg, Michael, "The Musical Absolute", New German Critique, 56, 1992, 17-42 [critique of Hegelian Adorno]

Storr, Sherman, "Poetry and Music: The Artful Twins," Etc, 43, Winter, 1986, 337-346

Subotnik, Rose Rosengard, Developing Variations: Style and Ideology in Western Music, Minneapolis: University of Minnesota Press, 1991

Tomlinson, Gary, "The Web of Culture: A Context for Musicology," 19th Century Music 8, 1984, 350-362

Treitler, Leo, "History and Music," New Literary History, 21, 1990, 299-319

Treitler, Leo, "History and the Ontology of the Musical Work," Journal of Aesthetics and Art Criticism, 51, 1993, 483-497

Treitler, Leo, Music and the Historical Imagination, Cambridge, MA 1989

Treitler, Leo, review of Kerman, Contemplating Music, JAMS 42, 1989, 375-402

Vergo, Petero, That Divine Order: Music and the Visual Arts from Antiquity to the Eighteenth Century, London & New York: Phaidon, 2005

Velimirovic, Milos, "Changing Interpretations of Music," New Literary History, 17, 1986, 365-390

Winn, James, Unsuspected Eloquence: A History of the Relations Between Poetry and Music, Yale, 1981 [Limbourg, ch 3-4]

Winternitz, Emanuel, Musical Instruments and Their Symbolism in Western Art, London, 1967


+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++


ANCIENT*

Anderson, Warren, Ethos and Education in Greek Music: The Evidence of Poetry and Philosophy, Cambridge: Harvard University Press, 1966

Barker, Andrew, Greek Musical Writings I, Cambridge: Cambridge Univ. Press, 1984

Bowra, C. M., "Arion and the Dolphin," Museum Helveticum, 20, 1963, 121-134

Boyancé, Pierre, "Les Muses et les harmonie des sphères," Mélanges dédiés à la mémoire de F. Grat, Paris: Pecquer-Grat, 1946, 3-16

Comotti, Giovanni, Music in Greek and Roman Culture, Hopkins,

Cornford, Francis, Plato's Cosmology, London, 1937, 66-94 (music of the spheres)

Handschin, Jacques, "The Timaeus Scale," Musica Disciplina, 4, 1950, 3-42

Harris, Clement, "Divine Origin of Musical Instruments in Myths and Scriptures," Musical Quarterly, 1922, 69-75

Holford-Strevens, Leofranc, "Her Eyes Became Two Spouts': Classical Antecedents of Renaissance Laments," Early Music, 27, August 1999, 379-393

Jan, Karl von, "Die Harmonie der Sphären," Philologus, 52, 1894, 13-37

Lippman, Edward, Music Thought in Ancient Greece, Columbia University Press, 1964, [ch. 2, "Theories of Musical Ethics," p. 45-86]

Mackie, C. J., "Achilles' Teachers: Chiron and Phoenix in the Iliad," Greece and Rome, xliv, 1, April, 1997, 1-10

Reinach, Théodore, "La musique des spheres," Revue des études grecques, 13, 1900, 432-449

Voutira, Alexandra Goulaki, ”Heracles and music,” RIdIM-RCMI Newsletter 1992, v. 17, no. 1, spring, p. 2-14

Waerden, Bartel Leendert van der, "Die Harmonielehre der Pythagorer," Hermes, 78, 1943, 163-199


+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++


MEDIEVAL* [Middle Ages]


Adkins, C., "The Technique of the Monochord," Acta Musicologica, 39, 1967, 34-43

Apel, Willi, French Secular Compositions of the Fourteenth Century, 3 vols., American Institute of Musicology: 1970-1972 [Solange, 1. nos. 94-104]

Apel, Willi, French Secular Music of the Late Fourteenth Century, Cambridge, Mass, 1950

Apet, W., French Secular Compositions of the 14th Century, Rome, 1970-1972

Atkinson, Keith, "An Early 14th Century French Boethian Orpheus" Parergon, 26, 1980,

Baines, A., "Fifteenth-Century Instruments in Tinctoris, 'De inventione et usu musicae'," Galpin Society Journal, 3, 1950, 19-26

Beck, Elizabeth, "Marchetto da Padova and Giotto's Scrovegni Chapel Frescoes," Early Music, Feb 1999, 7-24

Beck, Elizabeth, Singing in the Garden: Music and Culture in the Tuscan Trecento, Libreria Musicale Italiana, 1999


Benson, Marc, "L'Aspect musical du 'Jeu de la feuillée," Romania, 106, 3-4, 510-518

Berger, Carol, "The Hand and the Art of Memory," Musica Disciplina, 35, 1981, 87-120 [on musical notation as mnemonic writing sytem first drawn on hand then on scaled lines]

Billy, Dominique, "L'Empreintes métriques de la musique dans l'estampie lyrique," Romania, 108, 2-3, 1987, 207-229

Blazekovic [RENAISSANCE, astrology]

Bocules, E., "Haut and Bas: The Grouping of Musical Instruments in the Middle Ages," Musica Disciplina, 8, 1954, 115-140

Boenig, Robert, "Absolom's Musical Instruments," English Language Notes, 28, Sept. 1990, 7-15

Boenig, Robert, "Music and Irony in the 'Pardoner's Tale'," Chaucer Review, 24, 3, 1990, 253-258

Boenig, Robert, "The Miller's Bagpipe: A Note on the 'Canterbury Tales," English Language Notes, 21, Sept. 1983, 1-6

Bond, F., Misericords, ch. 21, [musical animals in the late middle ages]

Bowles, Edmund, "La hiérarchie des instruments de musique dans l'Europe féodale," Revue de musicologie, 42, 1958, 155-169

Bowles, Edmund, "Musical Instruments at the Medieval Banquet," Revue Belge de Musicologie, 12, 1958, 41-51

Bowles, Edmund, "The Role of Musical Instruments in Medieval Sacred Drama," Musical Quarterly, 45, 1969, 67-84 [mystery plays, Nativity scenes, God in Heaven, Hell as discord,

Bowles, Edmund, La Practique musique au moyen age/Musical Performance in the Late Middle Ages, Minkoff & Lattès, 1983

Bowles, Edmund, Musikgeschichte in Bildern, Band III, Leipzig, 1977

Brainard, I., "The Role of the Dancing Master in Fifteenth-Century Courtly Society," 15th Century Studies, 2, 1979, 21-44

Braun, Joachim, "Musical Instruments in Byzantine Illuminated Manuscripts," Early Music, 8, 3, 1980, 312-328

Brenet, M., Les Musiciens de la Sainte-Chapelle du Palais, Paris, 1910

Brown, Howard, "Ambivalent Trecento Attitudes Toward Music: An Iconographical View," Music and Context: Essays for John Ward, Cambridge, 1985, 79-107

Brown, Howard, "Fantasia on a Theme by Bocaccio," Early Music, 5, 1977, 324-339

Brown, Howard, "Instruments and Voices in the Fifteenth-Century Chanson," Current Thought in Musicology, ed. J. W. Grubbs, Austin, 1976, 102ff

Brown, Howard, "Minstrels and Their Repertory in 15th-Century France: Music in an Urban Environment" in Susan Zimmerman and Ronald Weissman, eds., Urban Life in the Renaissance, Cranbury: University of Delaware Press, 1989, pp.

Brown, Howard, "The Trecento Harp," Studies in the Performance of Late Medieval Music, ed. Stanley Boorman, Cambridge University Press, 1983, 35-74

Brown, Howard, Music in the French Secular Theatre, 1400-1550, Cambridge: Harvard University Press, 1963

Brownlee, Kevin, "Orpheus' Song Re-sung: Jean de Meun's Reworking of Metamorphoses X," Romance Philology, 36, 2, 1982, 201-209

Bukofzer, Manfred, "Speculative Thinking in Medieval Music," Speculum, 17, 1942,

Caldwell, J., "The 'De Institutione Arithmetica' and the 'De Institutione Musica'," Boethius: His Life, Thought, and Influence, ed. Margaret Gibson, Oxford, 1981, 135-154

Calin, William, "Medieval Intertextuality: Lyrical Inserts and Narrative in Guillaume de Machaut," French Review, 1988 Oct., 62:1, 1-10.

Campbell, Thomas, "Machaut and Chauucer: Ars Nova and the Art of Narrative," Chaucer Review, 24, 4, 1990, 275-289

Carapetyan, Armen, "Music and Medicine in the Renaissance and in the 17th and 18th Centuries," in Music and Medicine, eds. Dorothy Schullian and Max Schoen, New York: H. Schuman, 1948, 117-157

Carpenter, N. C., Music in the Medieval and Renaissance Universities, Norman, 1958

Cerf, G. le and E. R. Labande, eds., Instruments de musique du XV siècle: Les Traités d'Henri Arnaut de Zwolle et de Diverse Anonymes, Paris, 1932 [facsimile of ms.]

Chailley, J., "Les huits tons de la musique et l'éthos des modes aux chapiteaux de Cluny," Acta Musicologica, 17, 1, 1985, 73ff, 78-82, 85ff

Christian, Peter, "Text and Music in Minnesang," Forum for Modern Language Studies, 24, 4, 1989, 344-355

Coldwell, Maria Fowler, "Guillaume de Machaut and Medieval Romances with Musical Interpolations," Musica disciplina, 35, 1981, 55-86

Cowling, Douglas, "The Angel's Song in Everyman," Notes and Queries, 233, 3, Sept. 1988, 301-303

De Rachewiltz, Siegfried Walter. De sirenibus: An Inquiry into Sirens from Homer to Shakespeare. Ann Arbor: UMI Press, 1989.

Dragonetti, R., "La Poesie ... ceste musique naturelle': Essai d'exégèse d'un passage de 'l'Art de dictier' d'Eustache Deschamps," Fin du moyen Age et Renaissance: Mélanges de philologie française offerts à Robert Guiette, Anvers, 1961,

Dyer, Joseph, "'Singing with proper refinement': from 'De modo bene cantandi' (1474) by Conrad von Zabern," Early Music, 6, 1978, 207-223

Earp, Lawrence, "Machaut's Role in the Production of Manuscripts of His Work," Journal of the American Musicological Society, 42, Fall, 1989, 461-503

Ellinwood, L., "Ars musica," Speculum, 20, 1945, 290-299

Ellsworth, O., "The Berkeley Theory MS olim Phillips 4450: A Compendium of 14th-Century Music Theory," PhD., Berkeley, 1969

Enders, Jody, "Visions with Voices: The Rhetoric of Memory and Music in Liturgical Drama," Comparative Drama, 24, Spring, 1990, 34-54

Everist, Mark, "The Rondeau Motet: Paris and Artois in the Thirteenth Century," Music and Letters, 69, Jan, 1988, 1-22

Evitt, Regula, "Musical Structure in the 'Second Shepherds's Play'," Comparative Drama, 22, Winter, 1988/1989, 304-322

Falcon-Moller, Dorthe, "David Rex Musicae," Genesis profecta: nordiska studier i gammaltestamentlig ikonografi, ed. Patrik Reutersward and Marian Ullen, Stockholm: Almquist & Wiksell, 1980: 89-95;

Fallows, David, "French as a Courtly Language in 15th Century Italy: The Musical Evidence," Renaissance Studies, 3, 4, 1989, 429-444

Farmer, H. G., "Crusading Martial Music," Music and Letters, 30, 3, 1949, 243-249

Ficker, Rudolf, "Polyphonic Music of the Gothic Period," Musical Quarterly, 15, 1929, 483-505

Gaines, Janet, Music in the Old Bones, Jezebel Through the Ages, Southern Illinois Univ Press, 2000

Garey, Howard, "The Fifteenth Century Rondeau as Aleatory Polytext," Le Moyen Français, 5, 1979, 193-236

Garlandia, Johannes de, The 'Parisiana Poetria' of John of Garland, Yale University Press, 1974, ch. 1, lines 54-55 and 7, lines 469-470 [poetry grouped under Musica]

Gellrich, Jesse, "Nicholas' 'Kinges Note' and 'Melody'," ELN, 8, 1971, 249-252

Gellrich, Jesse, "The Parody of Medieval Music in 'The Miller's Tale'," Journal of English and Germanic Philology, 73, 1974, XXX

Gérold, Th., Les pères de l'église et la musique, Strasbourg, 1931

Gray, John Douglas, "The Ars nova Treatises Attributed to Philippe de Vitry: Translation and Commentary," Ph.D., University of Colorado, 1991?

Greene, G., ed., French Secular Music: Polyphonic Music of the Fourteenth Century, Paris and Monaco, 1982

Grocheo, Johannes de, Concerning Music, trans. Albert Seay, Colorado Springs: 1967

Gros-Louis, Kenneth, "Robert Henryson's Orpheus and Eurydice and the Orpheus Tradition of the Middle Ages," Speculum, 41, 1966, 643-655

Günther, U., "Die Musiker des Herzogs von Berry," MD, 17, 1963, 86

Gushee, L. "Questions of Genre in Medieval Treatises on Music," Gattungen der Musik in Einzeldarstellungen, 365-433

Gushee, L., "Two Central Places: Paris and the French Court in the Early 14th Century," in H. Kühn and P. Nitsche, eds., Bericht über den Internationalen Musik-wissenschaftlichen Kongress Berlin, 1974, Kassel, 1980

Guthrie, Steven, "Machaut and the Octosyllabe," Studies in the Literary Imagination, 20, 1, 1987, 55-75

Haggh, Barbara, "Minstrel Schools in the Late Middle Ages," Early Music, 18, May 1990, 213-216

Haggh, Barbara, "Some Aspects of the Notation and Performance of German Song Around 1400," Early Music, 18, May 1990, 235-246

Handschin, Jacques, "Aus der alten Musiktheorie: V, Zur Instrumentenkunde," Acta Musicologica, 16-17, 1944-5, 1-10 [15th century materials]

Harrison, Gregory, The Monophonic Music in the Roman de Fauvel, Monaco: Editions de l;Oiseau Lyre, 1956

Hibberd, Lloyd, "On 'Instrumental Style' in Early Melody," Musical Quarterly, 32, 1946, 107-130

Higgins, Paula, "Tracing the Careers of Late Medieval Composers: The Case of Philippe Basiron of Bourges," Acta Musicologica, 62, 1, 1990, 1-28

Hirshberg, J., "The Music of the Late Fourteenth Century," PhD, University of Pennsylvania, 1971

Hoffman, D. M., "Our Lady of the Sanctus", Liturgical Arts, 18, 1950, 43-45

Holsinger, Bruce, Music and Erotics in Hildegaard, Signs, 1993

Hoppin, Richard, Medieval Music, New York, 1978

Hughes, A., Medieval Music, Toronto, 1980

Hughes, Andrew, "Antiphons and Acclamations: The Politics of Music in the Coronation Service of Edward II, 1308," Journal of Musicology, 6, Spring, 1988, 150-168

Hughes, Dom Anselm and Gerald Abraham, eds., New Oxford History of Music, vol. 3 (Ars Nova and the Renaissance, 1300-1540)

Huot, Sylvia, "Polyphonic Poetry: The Old French Motet and its Literary Context," French Forum, 14, 3, 1989, 261-278

Huot, Sylvia, "Transformation of the Lyric Voice in the Songs, Motets, and Plays of Adam de la Halle," Romanic Review, 78, Mar. 1987, 148-164

Ingram, R. W., "The Use of Music in English Mystery Plays," Anglia, 75, 1957,

Jensen, Richard, "Birdsong and the Imitation of Birdsong in the Music of the Middle Ages and the Renaissance," Current Musicology, 40, 1985, 50-65

Kelly, Douglas, Medieval Imagination, Madison, 1878, 7-12, 239-256

Knighton, Tess and David Fallows, Companion to Medieval and Renaissance Music, New York: Schirmer Books, 1992

Knighton, Tess and David Fallows, eds., Companion to Medieval and Renaissance Music, Berkeley, 1997 [428 pp.]

Lanoue, David, "Music Therapy and Guillaume de Machaut: Hope's Chanson Royal in the 'Remede de Fortune,'" Romance Quarterly, 31, 4, 1984, 363-370

Laurie, I..S., "Deschamps and the Lyric as Natural Music," Modern Language Review, 59, 1964, 561-570

Lefferts, Peter, "Subtilitas in the Tonal Language of 'Fumeux fume'," Early Music, 16, 2, 1988, 176-184 [words to a rondeau by Solage]

Linden, Albert van der, "La musique dans les chroniques de Jean Molinet," Mélanges Ernest Closson, Brussels: Société belge de musicologie, 1948, 166-180

Ludwig, Friedrich, Guillaume de Machaut: Musikalische Werke, 4 vols., Leipzig: 1926-1929, Wiesbaden, 1954

Lukitsch, Shirley, "The Poetics of the Prologue: Machaut's Conception of the Purpose of His Art," Medium Aevum, 52, 2, 1983, 256-271

Madgdalino, P., "The Bath of Leo the Wise and the 'Macedonian Renaissance' Revisited: Topography, Iconography, Ceremonial, Ideology," Dumbarton Oaks Papers, XLII, 1988, 97-118, [pp. 104-107, prince as Orpheus subduing animal kingdom]

Marlot, Histoire de la ville, cité et université de Reims, II, 542ff, [on Romanesque cosmic musical pavement at St. Remi.]

Marrocco, W. Thomas, ed., The Oxford Anthology of Music. Medieval Music, Oxford Press, 1977

McGee, Timothy, "The Social Status of Drone Instruments," Continuo, 7, 1984, 9-12

McKinnon, James, "Fifteenth-century Northern Book Painting and the 'a cappella' Question: An Essay in Iconographic Method," in Studies in the Performance of Late Medieval Music, ed. Stanley Boorman, Cambridge University Press, 1983, 1-18

McKinnon, James, ed., Music in Early Christian Literature, Cambridge: Cambridge Univ. Press, 1987

Meinecke, Bruno, "Music and Medicine in Classical Antiquity," in Music and Medicine, eds. Dorothy Schullian and Max Schoen, New York: H. Schuman, 1948, 47-95

Meyer, K., "The Eight Gregorian Modes on the Cluny Capitals," Art Bulletin, 34, 1952, 75-94

Meyer-Baer, Kathi, Music of the Spheres and the Dance of Death: Studies in Musical Iconography, Princeton, 1970

Montagu, Jeremy, The Restored Chapter House Wall Paintings in Westminster Abbey," Early Music, 16, 2, 1988, 239-50 [slide needed of cover; hierarchical music of Last Judgement, 1390-1404, for Eyck]

Montgomery, Franz, "The Musical Instruments in the 'Canterbury Tales,'" Musical Quarterly, 17, 1931, 439-448

Müller, Hermann, "Der Musiktraktat in dem Werke des Bartholomaeus Anglicus De Proprietatibus Rerum," Reimann-Festschrift, Leipzig, 1909, 241-255

Munrow, David, "The Art of Courtly Love," Early Music, 1, 1973, 195-199

Munrow, David, Instruments of the Middle Ages and Renaissance, London, Oxford Univ Press, 1976

Nelson, Debborah, edition of Fr. musical book

Olson, Claire, "Chaucer and the Music of the Fourteenth Century," Speculum, 16, 1941, 64-91

Page, Christopher, "Fifteenth-Century Instruments in Jean de Gerson's 'Tractatus de Canticis'," Early Music, 6, 1978, 339-349

Page, Christopher, "German Musicians and Their Instruments: A 14th-Century Account by Konrad of Megenberg," Early Music, 10, 1982, 192-200

Page, Christopher, "Machaut's 'Pupil' Deschamps on the Performance of Music," Early Music, 5, 1977, 484-491

Page, Christopher, "Musical Instruments in Medieval Latin Biblical Glosses," FoMRHI, communication 13, April, 1976

Page, Christopher, "Musical Instruments in Medieval Manuscript Illumination," Early Music, 5, 1977, 299-309

Page, Christopher, "References to Stringed Materials in Some Medieval Texts, ca. 1050-c. 1430: An Annotated Anthology," FoMRHI, communication 14, April, 1976

Page, Christopher, "The Performamce of Ars Antiqua Motets," Early Music, 16, 2, 1988, 147-164

Page, Christopher, "The Performance of Medieval Polyphony," in H. M. Brown, and S. Sadie, eds., Handbook of Performance and Practice, in press?? [on pythagorean system/cosmic music]

Page, Christopher, "The Performance of Songs in Late Medieval France: A New Source," Early Music, 10, 1982, 441-450 [Cleriadus et Meliadice, 15th c. French romance]

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