Part one: General Introduction and Historical b ackground




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CRS 3001: Imperialism, Colonialism and Culture

CKB 108

Monday 1630-18:15


Dr. LI Yafei

Room 410

Hui Hui Yeung Shing Building,

Chung Chi College

Cicylee1978@yahoo.com.cn





Description

The course aims at the understanding of the history of colonialism and imperialism from the cultural perspective. Rather than tracing the historical details of how and when colonies appeared in the last few centuries, the course will focus on analyzing the effects of colonialism in terms of its ideology, institutional construction such as constitution and law, its cultural institutions such as language, literature and museum, and the general cultural forms such as media and film.

Throughout the course students are expected to be more sensitized to and critical of the continuous penetration of colonial and imperialistic thoughts and practices in daily lives around the world.


Learning Outcomes

  • Learning the cultural history of Imperialism and Colonialism

  • Be familiar with the key concepts and big names in the studies of Colonialism and Postcolonialism.

  • The ability to analyze the effects of colonialism in terms of its ideology, institutional construction

  • Build up a critical mind of the continuous penetration of colonial and imperialistic thoughts and practices in daily lives around the world.



Course Outlines


Part one: General Introduction and Historical Background


1, Defining the Terms 7/9


A: Introduction this course


B:Henry Schwarz, “Mission Impossible: Introducing Postcolonial Studies in the US Academy”, in Henry Schwarz and Sangeeta Ray[eds.], A companion to postcolonial studies, Malden, Mass. : Blackwell Publishers, 2000, pp1-20.

選讀:Bill Ashcroft, Gareth Griffiths and Helen Tiffin, Post-colonial studies : the key concepts, London ; New York : Routledge, 2000.


2, From Colonialism to Colonial Discourse 14/9

Aime Cesaire, “From Discourse on Colonialism”, in Postcolonialisms : an anthology of cultural theory and criticism, Gaurav Desai and Supriya Nair[eds.], Oxford : Berg, c2005, pp60-65.

Linda Tuhiwai Smith, “Imperialism, History, Writing and Theory”, in Postcolonialisms : an anthology of cultural theory and criticism, Gaurav Desai and Supriya Nair[eds.], Oxford : Berg, c2005, pp94-117.

Neil Larsen, “Imperialism, Colonialism, Postcolonialism”, in Henry Schwarz and Sangeeta Ray[eds.], A companion to postcolonial studies, Malden, Mass. : Blackwell Publishers, 2000, pp23-52.

選讀:Bill Ashcroft, Gareth Griffiths and Helen Tiffin, Post-colonial studies : the key concepts, London ; New York : Routledge, 2000


3, The Making of an Empire 21/9

Stephen Slemon, “The Scramble for Post-colonialism”, in The post-colonial studies reader, Bill Ashcroft, Gareth Griffiths, and Helen Tiffin[eds.], London ; New York : Routledge, 1995, pp45-54.

Hardt, Michael and Antonio Negri. “The Dialectics of Colonial Sovereignty,” “Network Power: U.S. Sovereignty and the New Empire.” In Empire. Cambridge, MA.: Harvard University Press, 2000. Pp. 114-136, 160-182.

選讀:Partha Chatterjee, The Nation and Its Fragments: Colonial and Postcolonial Histories. Princeton: Princeton University Press, 1993.


Part two: Key Thinkers and Theories

4, Orientalism, Contrapuntal and Edward W. Said 28/9

Bayoumi ,Moustafa & Rubin ,Andrew[eds.]. The Edward Said reader. New York : Vintage Books, c2000, Introduction.

Said, Edward. Orientalism. New York: Vintage Books, 1978, pp1-28.

Edward Said on orientalism [videorecording] / Media Education Foundation ; executive producer & director, Sut Jhally ; producer & editor, Sanjay Talreja. Northampton, MA : Media Education Foundation, c2002.

選讀:Said, Edward, Culture and imperialism, New York : Knopf : Distributed by Random House, 1994, c1993.


5, Hybridity, Mimicry, and Homi K. Bhabha 5/10

Huddart, David. Homi K. Bhabha. London ; New York : Routledge, 2005,pp.1-34,57-76

Homi K. Bhabha. The Location of Culture. London ; New York : Routledge, 1994,pp1-27

選讀:Homi K. Bhabha[ed.], Nation and narration, London ; New York : Routledge, 1990.


6, Female Subaltern, Positionality, and Spivak Gayatri Chakravorty 12/10

Spivak Gayatri Chakravorty .Three Womens Texts and a Critique of Imperialism, in In other worlds : essays in cultural politics. New York : Methuen, 1987.

Landry, Donna & MacLean, Gerald[eds.]. The Spivak reader : selected works of Gayatri Chakravorty Spivak. New York : Routledge, 1996.pp1-15, 203-237

選讀:Spivak Gayatri Chakravorty . edited by Sarah Harasym. The post-colonial critic : interviews, strategies, dialogues. New York ; London : Routledge, c1990.


Part three: Others, Identities and the Images of the Orient

(Cases include tutorial part 3 and 4)


7, How to Construct the Image ofChina: a Historical Research 19/10

Jones, David Martin. The Image of China in Western Social and Political Thought .Basingstoke, Hampshire ; New York : Palgrave, 2001.pp1-14

周寧:《天朝遙遠——西方的中國形象研究》。北京:北京大學出版社,2006。前言,1-11135-142283-293415-424539-551697-706

選讀:何兆武, 柳卸林主編:《中國印象 : 世界名人論中國文化上/下》。桂林市 : 廣西師範大學出版社, 2001


26/10 Public Holiday, Enjoy~~~ ^_^


8, British Colonialism in Hong Kong 2/11

Lau, C.K. Hong Kongs Colonial Legacy: A Hong Kong Chineses View of the British Heritage. Hong Kong: Chinese University Press, 1997, Introduction.

蔡榮芳︰《香港人之香港史︰1841-1945》。香港︰牛津大學出版社,2001。特別緒言、第一章及結語部份。頁1-13; 15-54; 275-295。

選讀:羅永生編︰《誰的城市:戰後香港的公民文化與政治論述》。香港︰牛津大學出版社,1997。


Part four: Arts, Medias and the Case Studies


9. Literature 9/11

Case: 西西:《我城》(1989)

Boehmer, Elleke. “Independence.” In Colonial and Postcolonial Literature. Oxford: Oxford University Press, 1995. Pp. 180-222.

Bill Ashcroft, Gareth Griffiths, and Helen Tiffin, The empire writes back : theory and practice in post-colonial literatures, London ; New York : Routledge, 1989, pp1-40.

選讀:Stoneham, Geraldine. “‘It’s a Free Country’: Visions of Hybridity in the Metropolis.” In Comparing Postcolonial Literatures: Dislocations, ed. Ashok Bery and Patricia Murray. Houndmills: St. Martin’s Press, 2000. Pp. 81 - 92.


10, Photography 16/11

Case: The Face of China-As Seen by Photographers and Travelers, 1860-1912 . Millerton, N.Y.:Aperture, c1978.

Hight, Eleanor & D, Gary. Colonialist Photography: Imag(in)ing Race and Place. Sampson, London: Routledge, 2002. Pp1-20; 107-125

選讀:Said,Edward. After the Last Sky : Palestinian Lives. New York : Columbia University Press, c1999.


11, Movie 23/11

Case:奧斯卡與中國大陸武俠風(瘋)

《臥虎藏龍》(李安,2000

《英雄》(張藝謀,2002)、《十面埋伏》(張藝謀,2004)、《滿城盡帶黃金甲》(張藝謀,2006

《無極》(陳凱歌,2005

《夜宴》(馮小剛,2006

戴錦華:《霧中風景——中國電影文化:1978-1998》。北京大學出版社2000年。

王一川:《張藝謀神話的終結——審美與文化視野中的張藝謀電影》。河南人民出版社1998年。第137-178頁。

選讀:Miller, Toby et. al. Hollywood History, Cultural Imperialism and Globalization. In Global Hollywood, Ch. 1. London: British Film Institute, 2001.


12, Drama 30/11

Case:

The Tempest(William Shakespeare,1611)

Madame Butterfly(Giacomo Puccini,1904)

Turandot(Carlo Gozzi, Giacomo Puccini, Franco Alfano,1921)

孫惠柱:《誰的蝴蝶夫人——戲劇衝突與文明衝突》。商務印書館2006年,Pp1-17;112-132;150-189。

選讀:MarchettiGina. Romance and the "yellow peril" : race, sex, and discursive strategies in Hollywood fiction. Berkeley : University of California Press, c1993. pp78-109; 176-202.


Tutorial Topics and Readings:(可以選擇以下reading,也可以任選和課程相關的事件或者文本進行評論和分析)

1,

Chatterjee, Partha. “The Colonial State.” In The Nation and Its Fragments : Colonial and Postcolonial Histories. Princeton, N.J.: Princeton University Press, 1993. Pp. 14 -34.

Young, Robert J. C. Postcolonialism: An Historical Introduction. Oxford: Blackwell Publishers, 2001.pp1-43


2,

Said, Edward, Culture and imperialism, New York : Knopf : Distributed by Random House, 1994, c1993. Introduction.

Yegenoglu, Meyda. “The Battle of the Veil: Woman between Orientalism and Nationalism.” In Colonial Fantasies: Towards a Feminist Reading of Orientalism. Cambridge: Cambridge University Press, 1998. Pp. 121-166.


3,

Moore, R. J. “India and the British Empire.” In British Imperialism in the Nineteenth Century, ed. C.C. Eldridge. London: MacMillan, 1984. Pp. 65-84.

Chatterjee, Partha. “The Colonial State.” In The Nation and Its Fragments : Colonial and Postcolonial Histories. Princeton, N.J.: Princeton University Press, 1993. Pp. 14 -34.


4,

Ella Shohat, Taboo memories, diasporic voices, Durham : Duke University Press, 2006, pp201-233.

Magda Al-Nowaihi,TheMiddle East? Or/Abrabic Literature and the Postcolonial Predicament, in A companion to postcolonial studies, Malden, Mass. : Blackwell Publishers, 2000, pp282-303.


5,

Stoneham, Geraldine. “‘It’s a Free Country’: Visions of Hybridity in the Metropolis.” In Comparing Postcolonial Literatures: Dislocations, ed. Ashok Bery and Patricia Murray. Houndmills: St. Martin’s Press, 2000. Pp. 81 - 92.

廖炳惠︰〈後殖民研究的問題及前景︰幾個亞太地區的啟示〉。收《認同、差異、主體性︰從女性主義到後殖民文化想像》,簡瑛瑛主編。臺北︰立緒文化公司,1997。頁111-152。


6,

MarchettiGina. Romance and the "yellow peril" : race, sex, and discursive strategies in Hollywood fiction. Berkeley : University of California Press, c1993. pp78-109; 176-202.

Miller, Toby et. al. “Hollywood History, Cultural Imperialism and Globalization.” In Global Hollywood, Ch. 1. London: British Film Institute, 2001. Pp. 17-43.


其他推薦書目:

David, Kumar. “The Making & Unmaking of a Terrorist,” and “Chomsky: Extract from an interview with the Greek media.” In Human Security in a New World Disorder, ed. Aditi Chowdhury; 33-38, 177-180. Hong Kong: Asian Regional Exchange for New Alternatives, 2002.

Young, Robert J. “Hybridity and Diaspora.” In Colonial Desire: Hybridity in Theory, Culture and Race. London: Routledge, 1995. Pp. 1-28.

Hodson, Joel. “Globalization and Nationalism in the US: A Historical Perspective.” In Nationalism and Globalization:East and West, ed. Leo Suryadinata. Singapore: Institute of Southeast Asian Studies, 2000. Pp. 102-131.

Phillips, Ruth B. “Why Not Tourist Art? Significant Silences in Native American Museum Representations.” In After Colonialism: Imperial Histories and Postcolonial Displacements, ed. Gyan Prakash. Princeton: Princeton University Press, 1994. Pp. 98-125.

Schroeder, Ralph. “Rethinking Nationalism in the Context of Globalization.” In Nationalisms Old and New, ed. Kevin J. Brehony and Naz Rassool. London: St. Martin’s Press, 1999. Pp. 70-86.

Yegenoglu, Meyda. “The Battle of the Veil: Woman between Orientalism and Nationalism.” In Colonial Fantasies: Towards a Feminist Reading of Orientalism. Cambridge: Cambridge University Press, 1998. Pp. 121-166.

Clarke, J.J. Oriental Enlightenment: The Encounter between Asian and Western Thought. London: Routledge, 1997.

Chow, Rey. “Where Have all the Natives Gone?” In Contemporary Postcolonial Theory: A Reader. Pp. 122-146.

Heung , Marina . The Family Romance of Orientalism: From Madame Butterfly to Indochine. In Bernstein, Matthew & Studlar, Gaylyn[eds.]. Visions of the East : orientalism in film. New Brunswick, N.J. : Rutgers University Press, c1997.

周蕾︰〈寫在家國以外〉。收《寫在家國以外》。香港︰牛津大學出版社,1995。頁1-38。

周寧:《永遠的烏托邦——西方的中國形象》。湖北教育出版社2002年。

張京媛主編:《後殖民理論與文化批評》。北京大學出版社1999年。


Requirements


It is your responsibility as a university student to follow the course consciously and consistently. Participation in lectures as well as tutorials is a must.


No plagiarism or any other forms of cheating will be tolerated. Once discovered, case will be handled severely by the University.


Participation and discussion: 10% of the final grade.

Tutorial Presentation: 20%

Mit-term paper: 20%

Final paper: 50%


Honesty in Academic Work: A Guide For Students and Teachers

The Chinese University of Hong Kong places very high importance on honesty in academic work submitted by students, and adopts a policy of zero tolerance on cheating and plagiarism. Any related offence will lead to disciplinary action including termination of studies at the University.  Students must submit their assignments via the Webpage of the Chinese University Plagiarism Identification Engine (CUPIDE) http://cupide.cse.cuhk.edu.hk/student .

 

Although cases of cheating or plagiarism are rare at the University, everyone should make himself/herself familiar with the content of this website and thereby help avoid any practice that would not be acceptable.

Section 1

What is plagiarism

Section 2

Proper use of source material

Section 3

Citation styles

Section 4

Plagiarism and copyright violation

Section 5

CUHK regulations on honesty in academic work

Section 6

CUHK disciplinary guidelines and procedures

Section 7

Guide for teachers and departments

Section 8

Recommended material to be included in course outlines

Section 9

Recommended declaration to be included in every assignment handed in

Section 10

Electronic submission of term papers

 

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