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Table of contents of practical works (7 semester):


Practical task ¹ 1.

(Duration of task – 28 hours)


THEME: An etude of the dressed figure is on a grey background.

PURPOSE: Transmission architectonically – structural construction of form taking into account a plastic anatomy. Exposure of individual lines of model. Passing to of the plastic arts motion.

EQUIPMENT: Easel, plane-table, brush, paint.

Motion of task:

1. A composition decision in a format is 2 grammes.

2. A geometrical construction of general proportions of figure is 2 grammes.

3. Anatomic construction to framework of figure – 4 grammes.

4. Previous registration of figure is 4 grammes.

5. A design of general details of figure taking into account an environment is 4 grammes.

6. The detailed design of parts of figure is 8 grammes.

7. Exposure of the personal lines of model a that transmission of illumination is 4 grammes.


Practical task ¹ 2.

(duration of task – 26 hours)


THEME: An etude of nude is on a bright background.

PURPOSE: A transmission of structural construction of form is taking into account a plastic anatomy. Exposure of individual lines of model. Passing to of the plastic arts motion.

EQUIPMENT: Easel, plane-table, brush, paint.

Motion of task:

1. A composition decision in a format is 2 grammes.

2. A geometrical construction of general proportions of figure is 2 grammes.

3. Anatomic construction to framework of figure – 4 grammes.

4. Previous registration of figure is 4 grammes.

5. A design of general details of figure taking into account an environment is 4 grammes.

6. The detailed design of bare parts of figure is 6 grammes.

7. Exposure of the personal lines of model a that transmission of illumination is 4 grammes.


Practical task ¹ 3.

(duration of task – 28 hours)


THEME: An etude of figure bare is on a grey background.

PURPOSE: A transmission of structural construction of form is taking into account a plastic anatomy. Exposure of individual lines of model. Passing to of the plastic arts motion.

EQUIPMENT: Easel, plane-table, brush, paint.

Motion of task:

1. A composition decision in a format is 2 grammes.

2. A geometrical construction of general proportions of figure is 4 grammes.

3. Anatomic construction to framework of figure – 2 grammes.

4. Previous registration of figure is 4 grammes.

5. A design of general details of figure taking into account an environment is 4 grammes.

6. The detailed design of bare parts of figure is 8 grammes.

7. Exposure of the personal lines of model a that transmission of illumination is 4 grammes.


Table of contents of practical works (8 semester):


Practical task ¹ 1.

(duration of task – 25 hours)


THEME: Etude of figure dressed.

PURPOSE: Transmission architectonically – structural construction of form taking into account a plastic anatomy. Exposure of individual lines of model. Passing to of the plastic arts motion.

EQUIPMENT: Easel, plane-table, brush, paint.

Motion of task:

1. A composition decision in a format is 2 grammes.

2. A geometrical construction of general proportions of figure is 2 grammes.

3. Anatomic construction to framework of figure – 4 grammes.

4. Previous registration of figure is 4 grammes.

5. A design of general details of figure taking into account an environment is 4 grammes.

6. The detailed design of parts of figure is 5 grammes.

7. Exposure of the personal lines of model a that transmission of illumination is 4 grammes.


Practical task ¹ 2.

(duration of task – 25 hours)


THEME: An etude of nude is on a bright background.

PURPOSE: A transmission of structural construction of form is taking into account a plastic anatomy. Exposure of individual lines of model. Passing to of the plastic arts motion.

EQUIPMENT: Easel, plane-table, brush, paint.

Motion of task:

1. A composition decision in a format is 2 grammes.

2. A geometrical construction of general proportions of figure is 2 grammes.

3. Anatomic construction to framework of figure – 4 grammes.

4. Previous registration of figure is 4 grammes.

5. A design of general details of figure taking into account an environment is 4 grammes.

6. The detailed design of bare parts of figure is 5 grammes.

7. Exposure of the personal lines of model a that transmission of illumination is 4 grammes.


11. List of the made to order educational literature.

. Ревякін П.П. Техника акварельной живописи М. 1995г.
2. Кольниц А.К. Акварельная живопись М. 1986г.
3. Лепикаш В.А. Живопись акварелью М. 1991г.
4. Пучков А.С. , Триселев А.В., Методика роботы над натюрмортом М. 1982г.

5. Школа изобразительного искусства . Т. 1-10, М. 1980-1985г.
6. Мухин А.П. Живопись . М. 1985г.

7. Киплик Д.И. Техника живописи М. 1990г.

8. Текстурирование и живопись М. 2002 г

9. Е.Н. Рославец . Живопись Франции ХVІІ-ХVІІІ веков К . 1990г.

10. Одноралов Н.В. Материалы в изобразительном искусстве – М., 1983.

11. Волков Н.Н. Цвет в живописи. – М., 1984.

12.Раушенбах Б.В. Пространственные построения в живописи. – М ., 1980.

13.Зайцев В.П., Айвазян Т.А., Таравкова И.А. и к.. Изучение диагностических возможностей цветового теста у больных сердечно-сосудистыми заболеваниями. //Психологический журнал. – 1989.

14.Кирцер Ю.М. Рисунок и живопись: Учеб. Пособие.- М.: высш. к.., 2000.

15.Авеиян О.А. Натура и рисование по представлению.- М, 1985.

16.Дейнека А. Учитесь рисовать.- М, 1961.

17.Ростовцев М.Н. Учебный рисунок.- М., 1976.

18.Ростовцев М.Н. Очерки истории методов преподавания рисунка.- М., 1981.

19.Тихонов СВ., Демьянов В,Г., Подрезков В.Б. Рисунок.- М., 1983.

20.Барщ А. Наброски и зарисовки.- М., 1970.

21.Сергеев А. Учебный натюрморт.- М., 1955.

22.Школа изобразительного искусства. Сборник. Вып. 1-10.-М., 1960-1963.

23.Психология художественного творчества: Хрестоматия./Сост. К.В. Селъченок.- М., 2003.

24.Рудницька О.П. Педагогіка: загальна та мистецька. Навчальний посібник.- Тернопілъ: навч. Книга.- Богдан, 2005.

25.Ватагин В. Изображение животных.- М., 1957.

26.Рабинович М. Пластическая анатомия человека, четвероногих животных и птиц и ее применение в рисунке.- М.. 1971.

27.Бажова М.Д. Пленер.-М., 1971.

28.Волков Н.Н. Композиция в живописи.- М., 1977.

29.Виннер А.В. Как пользоваться акварелью и к.ю. М., 1951.

30.Столяров И.М. Акварель,- М., 1980.

Додаткова навчальна література

1.В.Кузин В.С. Психология. – М.: Высш. к., 1982. – 208 с.

2.Миронова Л.Н. Цветоведение. – Минск: Высшая к.., 1984.

3.Миронова Л.Н. Цвет в изобразительном искусстве: Пособие для учителя. 3-е к.. – Минск: Беларусь, 2005. – 151 с.

4 .Популярная художественная энциклопедия: Архитектура.

Живопись. Скульптура. Графика. Декоративное искусство./ гл.

к.. В.М. Полевой. –М., 1999.

5.Психология цвета (сборник). –М.: Рефл.-бук., 1996.

6.Петренко В.Ф., Кучеренко В.В. Взаимосвязь эмоций и цвета.//Вестник МГУ. 1988. серия 14. «Психология». – с. 70-82.

7.Психология художественного творчества: Хрестоматия./Сост.

К.В.Сельченок. – М, 2003.

8.Рудницька О.П. Педагопка: загальна та мистецька: Навчальний пошбник. – Терношль: Навчальна книга. – Богдан, 2005. – 360 с.

9.Урванцев Л.П. Психология восприятия цвета. Методическое

пособие. – Ярославль, 1981.

10.Степанов Н.Н. Цвет в интерьере.- К.: Вища к.., 1985.

11.Ткаченко Е.И. Таинственный мир цвета. – М.: Юн. Художник, 1999.


12. Teaching methods.

Activity of student:

  • listening of lectures;

  • implementation of academic pictures;

  • implementation of home-works;

  • implementation of essays;

  • implementation of замальовок;

  • implementation of etudes of landscape.

Current control:

Two writing module works.

Form of semester control:

Test.

13. Evaluation criteria (in %)

A semester rating estimation settles accounts, coming from criteria:

are writing module works 40%

(from them on ê.ñ.) 30 %

- academic работи 60 %

Card of evaluation of SRS

¹

Types of independent work of student

A maximal mark of rating is for a kind

30(%)

1.

Still life is thematic “Autumn”.

6 %

2.

A figure is womanish.


6 %

3.

A figure is masculine.

6 %

4.

Landscape.

6 %

5.

Etudes of landscape of 5шт.

6 %
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