Cultural Criticism in English: other critics




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Revista Hispánica moderna 32 (1966): 43-55.

_____. "Nada." From "Nada, de Carmen Laforet, ejemplo de neorromance en la novela contemporánea," Revista Hispánica moderna 32 (1966): 43-55. In Época contemporánea: 1939-1980. Ed. Domingo Ynduráin with Domingo Valls. Vol. 8 of Historia y Crítica de la Literatura Española. Gen. ed. Francisco Rico. Barcelona: Crítica, 1981. 386-91.*

_____. "Not the Same Old Wine in New Bottles." Review of Produccion literaria y produccion social. By Noe Jitrik. Chasqui 5.2 (February 1976).

_____. "Adolfo Prieto: Profile of a Parricidal Literary Critic." Latin American Research Review 13.3 (1978).

_____. Jorge Luis Borges: An Annotated Primary and Secondary Bibliography. New York: Garland 1984.

_____. "Adolfo Caminha's Bom Crioulo: A Founding Text of Brazilian Gay Literature." Chasqui 17.2 (November 1988).

_____. "Verdad y ficción en una fotonovela mexicana: la duplicidad genera el texto." Confluencia 2.1 (Fall 1986).

_____. Mexican Literature: A Bibliography of Secondary Sources. 2nd ed., enlarged and updated. Metuchen: Scarecrow Press, 1992.

_____. Buenos Aires: Perspectives on the City and Cultural Production. Florida UP, 1998.

Fowlie, Jamie. (U da Coruña). "If God Could Do the Tricks We Can Do, He'd Be a Happy Man: Engineering and Imagineering in a Postmodern World." In Culture and Power IV: Cultural Confrontations. Ed. Chantal Cornut-Gentille D'Arcy. Zaragoza, 1999. 137-46.*

Freeland, Natalka. "From 'Foreign Peculiarities' to 'Fatal Resemblance': Detecting Villainy in The Woman in White." In The Devil Himself: Villainy in Detective Fiction and Film. Ed. Stacy Gillis and Philippa Gates. Westport (CT): Greenwood Press, 2002. 39-56.*

French, Lisa. "Patterns of Production and Policy: The Australian Film Industry in the 1990s." In Australian Cinema in the 1990s. Ed. Ian Craven. London and Portland (OR): Frank Cass, 2001. Digital printing 2005. 15-36.*

Friedberg, Anne. "The Mercator of the Postmodern: Mapping the Great Divide." Camera Obscura 18.76 (1988).

_____."Mutual Indifference: Feminism and Postmodernism." In The Other Perspective in Gender and Culture: Rewriting Women and the Symbolic. Ed. Juliet Flower MacCannell. Irvine Studies in the Humanities. New York: Columbia University Press, 1990.

_____. "Cinema and the Postmodern Condition." In Viewing Positions. Ed. Linda Williams. New Brunswick: Rutgers UP, 1995. 59-86.*

Frow, John.Time and Commodity Culture: Essays in Cultural Theory. Oxford: Oxford UP, 1997.

_____. Cultural Studies and Cultural Value. Oxford: Clarendon Press, 1995.

Frye, Northrop. "Levels of Cultural Identity." In Frye, The Eternal Act of Creation: Essays, 1979-1990. Ed. Robert D. Denham. Bloomington: Indiana UP, 1993. 168-81.*

Ganley, Barbara. BGBlogging. Academic blog.

http://mt.middlebury.edu/middblogs/ganley/bgblogging/

2005-05-12

Gans, Eric. The End of Culture: Toward a Generative Anthropology. Berkeley: U of California P, 1985.

Gardner, James. ¿Cultura o basura? Trans. Mariano Antolín Rato. Madrid: Acento, 1996.

Gelder, Ken. (U of Melbourne). "David Ireland's Novels: Australia, Community, and the 'Illegality' of Fiction." Journal of Narrative Technique 21.1 (1991): 32-42.*

_____. "Ethnic Vampires: Transylvania and Beyond." In Gelder, Reading the Vampire. London: Routledge, 1994. 1-23.*

_____. "Vampires in Greece: Byron and Polidori." In Gelder, Reading the Vampire. London: Routledge, 1994. 24-41.*

_____. "Vampires and the Uncanny: Le Fanu's 'Carmilla'." In Gelder, Reading the Vampire. London: Routledge, 1994. 42-64.*

_____. "Reading Dracula." In Gelder, Reading the Vampire. London: Routledge, 1994. 65-85.*

_____. "Vampire Blockbusters: Stephen King, Dan Simmons, Brian Aldiss and S. P. Somtow." In Gelder, Reading the Vampire. London: Routledge, 1994. 124-40.*

_____. "Vampires and Cinema: From Nosferatu to Bram Stoker's 'Dracula'." In Gelder, Reading the Vampire. London: Routledge, 1994. 86-107.*

_____. "Vampires in the (Old) New World: Anne Rice's Vampire Chronicles." In Gelder, Reading the Vampire. London: Routledge, 1994. 108-23.*

_____. Reading the Vampire. (Popular Fictions). London: Routledge, 1994.*

_____. "Jane Campion and the Limits of Literary Cinema." In Adaptations: From Text to Screen, Screen to Text. Ed. Deborah Cartmell and Imelda Whelehan. London: Routledge, 1999. 157-71.*

Geraghty, Lincoln. (U of Portsmouth, Lincoln.Geraghty@port.ac.uk) "From Balaclavas to Jumpsuits: The Multiple Stories and Identities of Doctor Who's Cybermen." Atlantis 30.1 (June 2008): 85-100.*

Gewirtz, Paul, and Peter Brooks, eds. Law's Stories: Narrative and Rhetoric in the Law. New Haven: Yale UP, 1996.

Giddens, Seth, Martin Lister, Jon Dovey, Iain Grant, and Kieran Kelly. (All U of the West of England). New Media: A Critical Introduction. London: Routledge, 2002.

Gilbert, Steven. "'Take Off Your Rose-Colored Glasses': Some Corrections to One Common European View of America." BAS (1997): 20-26.*

Giles, Paul. American Catholic Arts and Fictions: Culture, Ideology, Aesthetics. (Cambridge Studies in American Literature and Culture, 58). Cambridge: Cambridge UP, 1992.

_____. "Reconstructing American Studies: Transnational Paradoxes, Comparative Perspectives." Journal of American Studies 28 (Dec. 1994): 335-58.

_____. "Ethnicity, Literary Theory, and the Grounds of Resistance." American Quarterly 47.4 (December 1995): 563-94.

_____. "Virtual Americas: The Internationalization of American Studies and the Ideology of Exchange." American Quarterly 50.3 (Sept. 1998): 523-47.

Gillespie, Marie. Television, Ethnicity and Cultural Change. London: Routledge, 1995.

Gilsenan, Michael. Lords of the Lebanese Marches: Violence and Narrative in an Arab Society. Tauris, 1996.

Glover, David. (Southampton U).Vampires, Mummies, and Liberals: Bram Stoker and the Politics of Popular Fiction. Durham (NC): Duke UP, 1996.*

Glover, David, and Cora Kaplan. Genders. (The New Critical Idiom). London: Routledge, 2000.

Goldfarb, Jeffrey C. Los intelectuales en la sociedad democrática. Madrid: Cambridge UP, 2000.

Goldsmith, Ben. "All Quiet on the Western Front? Suburban Reverberations in Recent Australian Cinema." In Australian Cinema in the 1990s. Ed. Ian Craven. London and Portland (OR): Frank Cass, 2001. Digital printing 2005. 115-32.*

Goodwin, Andrew. "Popular Music and Postmodern Theory." Cultural Studies 5.2 (1990): 174-90.

Goodwin, Peter. Television Under the Tories: Broadcasting Policy 1979-1997. London: British Film Institute, 1998.

Gores, Steven J. Psychosocial Spaces: Verbal/Visual Readings of British Culture, 1750-1820. Wayne State UP, 1999.

Goudie, S. X. "Fabricating Ideology: Clothing, Culture and Colonialism in Melville's Typee." Criticism 40.2 (Spring 1998): 217-236

Graff, Gerald. "Paradoxes of the Culture War."Narrative 1.1 (1993) : 66-68.*

Graham, Helen, and Jo Labanyi, eds. Spanish Cultural Studies: The Struggle for Modernity. Oxford: Oxford UP, 1996.

Graham, Phil, Thomas Keenan and Anne-Marree Dowd. "A Call to Arms at the End of History: A Discourse-Historical Analysis of George W. Bush's Declaration of War on Terror." Discourse and society

http://das.sagepub.com

Grant, Iain, Martin Lister, Jon Dovey, Seth Giddens and Kieran Kelly. (All U of the West of England). New Media: A Critical Introduction. London: Routledge, 2002.

Grausam, David. On Endings: American Postmodern Fiction and the Cold War. UP of Virginia, 2011.

http://www.upress.virginia.edu/books/grausam.html

Gray, Ann, and Jim McGuigan, eds. Studying Culture: An Introductory Reader. 2nd ed. London: E. Arnold, 1993.

Gray, Ann, et al., eds. European Journal of Cultural Studies. Ed. Pertti Alasuutari (U of Tampere), Ann Gray (U of Birmingham) and Joke Hermes (U of Amsterdam).

Green, Michael. "'And???' or, Between the Cracks: Locating Cultural Studies." European English Messenger 4.1 (Spring 1995): 39-43.*

Greimas, A. J., et al., eds. Signs, Language and Culture. The Hague: Mouton, 1970.

Greenblatt, Stephen. "Towards a Poetics of Culture." In The New Historicism. Ed. H. Aram Veeser. 1989. 1-14.

Grieveson, Lee. "Fighting Films: Race, Morality and the Governing of Cinema, 1912-1915" Cinema Journal 38.1 (Fall 1998): 40-72.

Griffiths, Sian, and Jennifer Wallace, eds. Consuming Passions: Food in the Age of Anxiety. New York: St. Martin's Press, 1998.

Grist, Leighton (U of Worcester, rmlg @ waitrose.com). "Masculinity, Violence, Resistance: A New Psychoanalytic Reading of Raging Bull." Atlantis 29.1 (June 2007): 11-27.* (Scorsese; masochism).

Grossberg, Lawrence. "The Circulation of Cultural Studies." Critical Studies in Mass Communication 6 (1989): 413-20.

_____. "Cultural Studies Revisited and Revised." In Communications in Transition: Issues and Debates in Current Research. Ed. Mary S. Mander. New York: Praeger, 1983. 39-70.

_____. "The Formation of Cultural Studies: An American in Birmingham." Strategies 2 (1989): 114-48.

_____. "History, Politics, and Postmodernism: Stuart Hall and Cultural Studies." Journal of Communication Inquiry. Special issue on Stuart Hall, 10 (1986): 61-77.

Grossberg, Lawrence, Cary Nelson, and Paula Treichler, eds. Cultural Studies. New York: Routledge, 1992.

Guggleberger, M. Georg, ed. The Real Thing: Testimonial Discourse in Latin America. Durham (NC): Duke UP, 1996.

Gunn, Giles. The Culture of Criticism and the Criticism of Culture. New York: Oxford UP, 1987.*

Gurak, Laura, Smiljana Antonijevic, Laurie Johnson, Clancy Ratliff, and Jessica Reyman (all University of Minnesota). "Introduction: Weblogs, Rhetoric, Community, and Culture." In Gurak et al., Into the Blogosphere. 2004.

http://blog.lib.umn.edu/blogosphere/introduction.html

2009

_____, eds. Into the Blogosphere. U of Minnesota, 2004.

http://blog.lib.umn.edu/blogosphere/

2005-08-08

Guy-Bray, Stephen. "The Differences of Things." Rev. of "New" Exoticisms, ed. Isabel Santaolalla, and Men in Wonderland, by Catherine Robson. Canadian Literature: A Quarterly of Criticism and Review 174 (Autumn 2002): 177-79.*

http://www.canlit.ca/reviews/174/5624_GuyBray.html

2006-12-15

Haeri, Niloofar (Dpt. of Anthropology, Johns Hopkins U). Sacred Language, Ordinary People: Religion, State and Modernity in Egypt. Houndmills: Palgrave Macmillan, 2003.

Halberstam, Judith. (U of California, San Diego) Skin Shows: Gothic Horror and the Technology of Monsters. Durham (NC): Duke UP, 1995. (Shelley, Stoker, Stevenson, Slasher films, serial killing, retrospectivity, Wilde).*

_____. "Automating Gender: Postmodern Feminism in the Age of the Intelligent Machine." 1991. In Sex / Machine: Readings in Culture, Gender, and Technology. Ed. Patrick D. Hopkins. Bloomington: Indiana UP, 1998. 468-83.*

_____. Female Masculinity. Durham (NC): Duke UP.

_____. "Female Masculinity." In Literary Theory: An Anthology. Ed. Julie Rivkin and Michael Ryan. 2nd ed. Oxford: Blackwell, 2004.

Hall, C. "Missionary Stories: Gender and Ethnicity in England in the 1830s and 1840s." In Cultural Studies. Ed. L. Grossberg, C. Nelson and P. Treichler. London: Routledge, 1992.*

Hall, C., and L. Davidoff. Family Fortunes: Men and Women of the English Middle Class. London: Routledge, 1992.

Hall, David. From "Modern China and the Postmodern West." In From Modernism to Postmodernism: An Anthology. Ed. Lawrence E. Cahoone. Oxford: Blackwell, 1996. 698-710.*

Hall, Gary, and David Boothroyd, eds. The Culture Machine. Electronic journal on cultural studies. School of Law, Arts and Humanities, University of Teesside (Borough Road; Middlesbrough, TS1 3BA; UK)

http://culturemachine.tees.ac.uk

Hall, Gary, and Simon Wortham, eds. Angelaki 2.2: Authorizing Culture.

_____, eds. Culture Machine 2 (2000): The University Culture Machine. http://culturemachine.tees.ac.uk

Halttunen, Karen. (1951; U of California, Davis). Murder Most Foul: The Killer and the American Gothic Imagination. Cambridge (MA): Harvard UP, 1998.*

Hamilton, Peter. "Representing the Social: France and Frenchness in Post-war Humanist Photography." In Representation: Cultural Representations and Signifying Practices. Ed. Stuart Hall. London: Sage / Open U, 1997. 1999. 75-150.*

Hand, Felicity, and Chantal Cornut-Gentille, eds. Culture and Power. Barcelona: Departament de Filologia Anglesa i de Germanística, Universitat Autònoma de Barcelona, 1995.*

Hannigan, John A. Fantasy City: Pleasure and Profit in the Postmodern Metropolis. Routledge, 1998.

Hansen, Anders (U of Leicester), Simon Cottle, Ralph Negrine and Chris Newbold. Mass Communication Research Methods. Houndmills: Macmillan, 1998.

Hansen, Miriam. From "Pleasure, Ambivalence, Identification" ("Valentino and Female Spectatorship"). Cinema Journal 25.4 (Summer 1986). Shorter version (1991) in Film Theory and Criticism: Introductory Readings. 5th ed. Ed. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 584-601.*

Hansen, Miriam Bratu. "Early Cinema, Late Cinema: Transformation of the Public Sphere." In Viewing Positions. Ed. Linda Williams. New Brunswick: Rutgers UP, 1995. 134-52.*

_____. "Benjamin and Cinema: Not a One Way Street." Critical Inquiry 25.2 (Winter 1999): 306-343.

Hantke, Steffen. "'The Kingdom of the Unimaginable' The Construction of Social Space and the Fantasy of Privacy in Serial Killer Narratives." Literature Film Quarterly 26.3 (1998): 178-195.

Harrington, Henry, and John Tallmadge, eds. Reading under the Sign of Nature: New Essays in Ecocriticism. Salt Lake City: U of Utah P, 2000.

Harris, Charles B. "Blessed by Madness: Memories of my Father Watching TV." The Review of Contemporary Fiction 18.2 (1998): 101-116.

Harris, Marvin. Antropología cultural. Madrid: Alianza.

Harrold, Francis B., and Raymond A. Eve. The Creationist Movement in Modern America. Boston, 1991.

_____, eds. Cult Archaeology and Creationism: Understanding Pseudoscientific Beliefs about the Past. Iowa City, 1987.

Hartley, John (Queensland U of Technology, Australia), and John Fiske.
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