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China Bibliography FOR CONSOLIDATION
Bibliography of works on Modern Chinese Art
Each section will begin with works in other-than-Chinese languages, followed by
those in Chinese. This is a personal working bibliography and does not pretend comprehensiveness
1a. General Problems of Modernity and Art
1b. Chinacoast and Trade Paintings
1c. Photography in China
CHINA-HONG KONG AND MACAO
2b. Hong Kong Ink Painting
2c. Oil painting, photography, prints and mixed media
2d. Sculpture and Ceramics
2e. Hong Kong Art in the later 1990s
CHINA: REPUBLICAN CHINA ON THE MAINLAND AND THE PEOPLE’S REPUBLIC OF CHINA
3b. General historical works
3c. Works on or by particular artists
3d. Late Qing and Republican China Before 1949
3e. Wartime Period and Yan’an Base Areas
3g. Selected comparative texts on Socialist Realism
3j. Art since 1989
3k. Selected Exhibitions outside China
3l. Chinese Graphic Art since the late 19th century to 1949
3m. Chinese Graphic Art after 1949
3n. Selected works on Modern Chinese Intellectual and Political History before 1949
3o. Selected works on Modern Chinese Intellectual and Political History after 1949
CHINA-TAIWAN / REPUBLIC OF CHINA AFTER 1949
4a. General Works
4b. Works on or by Particular Artists
4d. Political and Intellectual History of Taiwan
5a. General Works
5b. Particular on or by artists
1a. General Problems of Modernity and Art
Andrews, Julia, and Shen Kuiyi, eds, A Century in Crisis: Modernity and Tradition in the Art of Twentieth Century China, New York, Guggenheim Museum, 1998
Barmé, Geremie, ‘The Garden of Perfect Brightness: A Manchu Vision of China’, Visual Arts + Culture, vol.1, no.1, 1998.
CHINA: MODERNITY AND ART and a discussion of Modern Art in Japan and Korea, Taibei, Council for Cultural Planning and Development, 1990.
Clark, John, ‘Problems of Modernity in Chinese Painting’, Oriental Art, vol.32, no.3, pp 270-283, 1986.
Clark, John, ‘Some Sketches of Modern Chinese Painting, I Beijing, II Hong Kong’, in Beyond Byzantium, section 1 above ibid.
Clark, John, ‘Art and Modernism in China 1900-1997: a review and documentation’, Journal of the Oriental Society of Australia, vol. 29, 1997.
Clark, John, ‘Modernity in Chinese Art, 1850s-1990s: Some chronological materials’, Journal of the Oriental Society of Australia, vol. 29, 1997.
Clarke, David, ‘Tradition and Innovation” [British Museum exhibition], ART AsiaPacific, no.15, 1997
Croizier, R., ‘Art and Society in Modern China - A Review Article’,The Journal of Asian Studies, vol.49, no.3, August 1990.
Doar, Bruce and Dewar, Susan. ‘From Tradition to Modernity: China’s road to modern sculpture.’ Asia-Pacific Sculpture News 1:1 Winter 1995
Gao Minglu, Inside Out: New Chinese Art, Berkeley, University of California Press, 1998.
Kao, Mayching,ed, Twentieth Century Chinese Painting, Hong Kong, Oxford University Press, 1988 [proceedings of a 1984 Hong Kong Conference, this covers most areas of modern Chinese painting in a general manner]
Kuo, Jason,C., ‘Reviews of recent books on Modern Chinese Painting’,Ars Orientalis, vol.20, 1991.
Li, Chu-tsing, Lawton,T., ‘The New Chinese Landscape’, Art Journal, XXVII/2, Winter, 1967/68.
‘Move over Van Gogh’ [special issue of Asian Art market], Far Eastern Economic Review, 22 July 1993.
Pi Daojian ‘The history of Black and White: 50 years of Evolution in Ink and Wash’, Contemporary Chinese Art Bulletin, vol.2, no.5, 1999.
Sullivan, Michael, Chinese Art in the Twentieth Century, London, Faber & Faber, 1959.
Sullivan, Michael, The Meeting of Eastern and Western Art, Palo Alto, Stanford UP, 1969 [the research and approach of this book are highly problematic], revised version, U. California Press, 1991.
Sullivan, Michael, ‘Orthodoxy and Individuality in Twentieth Century Chinese Art’, in Murck, C., ed., Artists and Traditions, Princeton, Princeton UP, 1979.
Sullivan, Michael Art and Artists of Twentieth Century China, Berkeley, California University Press, 1996 [reviews: Dal Lago in ART AsiaPacific, no.15, 1997, Crozier in The Journal of Asian Studies, 1997; Clark in Asian Studies Reviews, 1999].
Wan Qingli, ‘Traditionalism, Reform, and Modernism in Twentieth Century Chinese Painting’, Orientations, 23, no.7, July 1992.
1b.Chinacoast and Trade Paintings
Berry-Hill, H. and S., Chinnery and China Coast Paintings, Leigh-on-Sea, 1970.
Christies’, Fine Chinatrade Paintings, Hong Kong, Christies’ Swire, sale of 26-9-1989.
Conner, P., The China Trade 1600-1860, Brighton, Royal Pavilion, 1986
Conner, P., Leglouix, S., William Alexander, Brighton, Royal Pavilion,1981.
Crossman,C.L., The China Trade: Paintings, Furniture, Silver, and other Objects, Princeton, 1972
Gregory, M., In the Western Manner, Catalogue 53, London, Martyn Gregory Gallery, 1989.
Hutcheon, R., Chinnery, The Man and the Legend, Hong Kong, 1975
Lee, J.G., Philadelphians and the China Trade 1784-1844, Philadelphia Museum of Art/ University of Pennsylvania Press, 1984.
Leglouix, S., Image of China: William Alexander, London; Jupiter Books, 1980
Orange, J. The Chater Collection; Pictures relating to China, Hong Kong, Macao, London, 1924.
Tam, L.C.S.,et al, Hong Kong: The Changing Scene, Hong Kong Museum of Art, 1980
Ting J.S.P., Hung V.W.Y., Gateways to China, Hong Kong Museum of Art, 1987.
............, George Chinnery: His Pupils and Influence, Hong Kong Museum of Art, 1985.
Warner, J., Hong Kong Illustrated: Views and News, 1840-1890, Hong Kong, John Warner, 1981
Wu, L., ‘A Newly discovered school of Chinese export painting’, Orientations, vol.20, no.7, July 1989
1c. Photography in China
Cartier-Bresson, H., China in Transition, London, Thames and Hudson, 1956
Hsu, B., ‘Fifteen Decades of Photography’, Free China Review, October, 1987.
Jenner, W.J.F., China: a Photohistory, London, Thames & Hudson, 1988.
Roberts, C., ‘In her view: Hedda Morrison;s photographs of Peking, 1933-46’, East Asian History, 4, December 1992.
Taiwan Sheying, 1887-1945, Taibei, Xiongshi Tushu, 1979, 1981.
Thomson, J., China The Land and Its People, Hong Kong, John Warner, 1977
Warner, J., Hong Kong 100 Years Ago, Hong Kong, Museum of History, 1970, 1981
Worswick, C., Spence, J., Imperial China, Photographs 1850-1912, London, Scolar Press, 1978.
Zhongguo Sheying, 1860-1912, Taibei, Xiongshi Tushu, 1979
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